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Avid has reworked Pinnacles Liquid Edition and before it absolutely was a Pinnacle product, it had been FAST FSDV into Avid Liquid 7, adding SmartSound integration, additional format support, more realtime effects and HDV editing. Preserved include the various pricing/equipment strata. Upgrades from Liquid Edition to Liquid 7 without hardware changes are 199. Liquid on its own omits the USB 2.0 breakout box, and retails for 499. Owners of Liquid Edition can upgrade to Liquid 7 Pro for 699. There are also versions with SDI breakout boxes, known as Liquid Chrome HD, ranging in price from 4, 995 to 11, 995.
We tested Avid Liquid 7 Pro about the NLE Systems Kanai Avid Liquid Pro Editing Solution Videomaker, March 2006. From a look on the manual, there is usually a strong impression of the assumption you have received formal training on Liquid. It was not out-of-the-box intuitive to produce the program work as we first launched it, as compared with most other recent editing applications that contain come through our doors. Avid Liquid 7 has a somewhat unusual help system, plus an 1, 122-page PDF manual installs together with the system. The PDF manual can be a good reference, but to completely learn the system, youll definitely wish to invest in a third-party training, for instance a book, online training, or possibly a class.
When you start this program, you are not far on the Import Wizard, that enables for easy capture from DV. You can also generate a project from Pinnacle Studio 10, scan your network for clips, add other media WMV, AVI, etc., import still images and build titles. You can also make use of the software to edit multi-cam shoots without a great number of hassles, also. We could successfully import food items . we threw advertising online, excluding some QuickTime DV files that individuals had received for previous Videomaker Short Video Contest. A status display appears from a successful import run. Note, however, that when you need to import HDV, the assistance file does warn that some minor additional configuration is required-its not quite as plug-and-play easy as having a Mini DV camcorder.
There are a variety of things that Liquid does differently than other editing systems. For example, what we usually think about as bins are known as racks in Liquid. Oddly enough, even Avid Xpress class of products calls bins bins. Its unclear to us just what Avid was thinking here-it looks that preserving continuity between product lines will be a logical goal, if perhaps to keep their Technical Support team with full heads of hair.
More importantly than this, though, we learned that some habits learned in other editing systems like Vegas, Premiere Pro and FCP generally cant simply be ported to Liquid. For example, you cant drag your freshly-imported media straight away to the timeline-you ought to select the clip inside rack and judge Create Clips of Selected Media on the right-click menu before you actually add your media for your timeline.
As along with other programs, clips with audio are automatically broken into audio and video tracks the tracks under consideration are marked as V and S1 and locked together. However, if you wish to use the video, you have to drag the clip right into a V timeline, otherwise, exactly the clips sound is obtainable. Once a clip is around the timeline, a checkmark appears within the clip, which is really a nice touch.
If you would like to use the Clip Viewer, there is no quick indication of in which a clip ends-you must scrub towards the end on the track to discover what the duration is. A clearer indication of clip duration would make this course much easier to make use of.
In our opinion is one from the strangest popular features of Liquid, an individual has to enable audio scrubbing separately. Once it's enabled, you should press the Scroll Lock factor to actually turn it on. Audio scrubbing also works much differently from video scrubbing for example. Video scrubbing works as youd expect grab the play head, sweep it above the timeline and wherever you dismissed the play head will always be. However, audio scrubbing takes the audio into very fast and changes the image to whatever video frame is in the cursor. When you release the mouse button, the play head snaps to wherever this course was while using audio. Think of it like rolling back an open-reel tape manually as opposed to just exploring an audio track in the audio editor or simply about another video editor in captivity.
There are color correction facilities in Liquid, but we couldnt manage for making the waveform monitor provide us with any readings in real-time. There is usually a color legalization function that will do strict ITU-R BT.601 color correction, which might be very helpful in a broadcast or post environment.
You could also author DVDs in the timeline. A DVD Menus rack is provided and preloaded with templates, which look quite sharp and professionally-done.
If you wish to break into the biz, wed inform you to think carefully before paying for this software. FCP or Premiere Pro may well be a better choice to spend money on and start learning if you would like to edit independent video or film; but Avid does claim a volume of major broadcast operations among its installed base of Liquid users.
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Charles Fulton is Videomaker s Associate Editor.
Videomaker, Inc. All rights reserved.
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Generally speaking, the single thing that angers most software owners is its ineffective and poorly written user manual. In many cases, product documentation is authored by the same those who create products underlying code. Rarely do these individuals understand what it's like to use the product or service. So even though the documentation can be technically accurate, its organization, context, appearance and overall utility severely suffers.
Liquid users take relief was in sight. For those people who still prefer to rummage over the printed page, I am so glad to determine a book written by the film maker that breaks the stereotypes of the we know as user documentation.
This book isn't a tutorial, but serves similar objectives. Its almost as if Paul Ekert, mcdougal, is looking over your shoulder and directing yourself on how to accomplish a unique task.
By enough time Avid was prepared to release their new 7.0 version of Liquid, Paul Ekert released this new version of his book. If you are informed about his book on Pinnacle Liquid Edition 6, he did much more that simply swap the name Pinnacle for Avid and increment the 6 to some 7. Building upon the prosperity of his 6.0 book, Paul took this opportunity to totally update his reference manual. Going well beyond Liquids the latest features, improvements were made towards the books organization thus allowing users to get answers in a very much more efficient manner.
Most manuals take a seat on a bookshelf and they are only utilized for those who have a question. What I especially like about it book is its overall readability. Pauls friendly way with words will appeal to a lot of Liquid editors.
Recommendation: Even if you possess the previous version in this book, you will need to keep you library current with this version. The bottom line a great read along with an awesome reference.
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There is quite little within the way of published texts explaining the revolutionary version of AVID formerly Pinnacle LIQUID video editing but fortunately this book fills the void! As a professional video editing instructor and turnkey editing system reseller, I can appreciate a good text when I read one, and I am willing to recommend this book to anyone who's going to be just beginning with Liquid or Liquid Pro software. We advise each of our students and clients to obtain copies, and would heartily endorse it towards the general public. The author covers the fabric well along with the book is populated with a lot of screenshots illustrating the application menus. He won't cover light beer editing, but instead focusses around the physical operation of Liquid, from capturing the raw footage through creation from the final product. I would have liked to view a little more coverage of splitting trimming scenes, but overall I still imagine that this is the best textbook working with Liquid that I have not yet encounter.
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When you happen to be daily user from the Liquid system and work in a very editing team, the Avid Liquid Reference Manual is the place to locate answers to your questions.
If you dont fit in with these crowd, the reference manual still will provide you with all the answers, but the problem might be you dont view the answer.
Paul Ekert, Avid Liquid for Windows deals using the same matherial, but he speaks a new language. This makes him considerably more understandable with a large audience.
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I distrusted Liquid when I first got what I really wanted but tend to not afford, was Final Cut Pro. As any Liquid user knows, the manual is poorly written. After a frustrating year on Liquid this book was the turning point for this took me coming from a cutter to power user in the week!! Not only that, should you cross referance, eg TIMEWARP COLOUR the Avid manual makes more the other detail is perhaps all there. I can now afford FCP but having used it again recently, it appears akward and old-fashioned. For me, because of Paul Liquid Rocks! This book is really a Must have
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The book is well writen and straightforward to follow, sadly the images next to your subjects would not come out very clearly.
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Great Great tips and little tidd pieces of information in addition to being nearly date.
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I am just about to get the book. Last night for a Liquid users group I had an issue about what are the purpose of a sub track was. We discussed the challenge because the liquid help wouldn't even have an entry for track. However someone produced The Book which provided a superb description. As I looked through the ebook I knew I had for getting my own copy.
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The writing is crisp, friendly, and in the right depth. The knowledge of Paul Eckert definitely seems sound. The book needs to be sufficient for most of us whove worked out their kindergarten video editor that included your computer like Windows Movie Maker. Im employed to Final Cut Pro on Mac and discover it more intuitive, but my Mac has turned unreliable. Oh, back to your book. It seems indispensable, specially the handholding offered to get Liquid 7 loaded and running, which has been hard to get or seem sensible of inside Avid User Guide that came together with the software. In my case, the program came without worrying about interface box that comes while using Pro version.
Eckerts book doesnt try and hit every filter, special effect, and titling technique, but offers you a reasonable sampling of each one including keyframing. Color correction is hit in most detail, I thought a bit for the shallow side, but this isnt the Lexus of video software, either. I need to play together with the software more, so dont take color correction like a problem with all the book. I see the Avid User Guide is more understandable in my opinion and they can suppliment each other inside deeper areas. Eckerts Avid Liquid for Windows reduced the problem avoid a whole lot of trial-and-error. Its also good being a desk reference, to help you get you through some puzzling task.
Unfortunately, Im lured to give it three stars with the poor clarity and contrast inside the printing of the company's gray-scale graphic screen-shots utilised in its many illustrative figures. I had to get a magnification device if there seemed to be a point that seemed essential from the figure and not covered inside writing. The figures apparently received to hazily hint at general layout with several explanatory arrows, and never for all of the details as well as for this, these people were sufficient. Printed in China, I thought, but no, it had been in Berkley, maybe at some local Xerox machine.
Im one that pre-reads this stuff in bed before even loading the application, probably an excellent idea here since there is often a lot of help and cautions related to setting up separate hard disks for capture media and render files. I highly recommend the publication for Liquid 7 newbies much like me who do often need and employ user manuals.
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