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this ones one full version?
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Can this be played on the 64-bit system?
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This will be the 4th and final instalment in this particular series on converting a PSD to CSS, its taken somewhat longer to have finished than I would have liked! Here may be the 4th part on the way to turn a PSD design right into a fully working webpage.
At the tip of the very last tutorial we finished working away at the left column, this stage with the turorial we're going to concentrate within the right side column, the very center column, the search box and some IE hacks!
Figure 24 below shows might know about need to achieve finest column.
This is fairly simple even as we have a heading where we are able to use our global H3 style after which a simple unordered list with arrows. We can use to the arrows and can wrap them in the span as before so that we can easily color them white. All that remains is simply to space the next thunderstorm according on the PSD which should be easily accomplished with appropriate margins and padding.
Notice that I have considering the ul a class of gallery and with this instance I didn t really have to do that because I could concentrate on the UL through the column s ID instead. However, I am guessing that on other pages inside the site it will have more content within this column in case I globally address all ULs as column we could run across problems on other pages. Therefore I makes use of a class around the UL to isolate the code.
text-transform:uppercase;
There s nothing new there except to remember we globally reset each of the margins and padding in our elements and thus we don t have to worry concerning the fact that some browsers apply a default left padding for that bullet and many use default right padding. We also set all lists to default to read-style:none to crush bullets and we don t really should do much you will come to all.
I put an underline affect on hover which behaves as a good visual clue we now have links.
Checking the design in Firefox it seems much as expected as noticed in figure 25.
However, on checking in IE6 we percieve something proceeded to go drastically wrong!
As you will see above IE6 has misplaced the best column content and placed it in the guts. What could we have now done to cause this issue as it had been working before?
The right off the bat to try should be to remove every one of the HTML from inside the appropriate column and apply some dummy text to see if it was our right column styling that has been causing the down sides. Upon checking apparently there is nothing inside right column code that is inducing the problem. Therefore it have to be something we did from the left column earlier on.
Remember earlier, when I said to validate your code and view in various browsers you forgot to check on IE6 didn t you?
Deleting one line each time from the html inside the left column look for that if we delete the subsequent line everything snaps back to place.
What might be wrong to be able line above?
If we check from the code it soon becomes apparent that we have now applied padding for the P element that's holding the look and we now have also added a 2px right margin to everyone images as section. The space available is 207px and the picture is 206px wide as well as a 2px right margin but we now have also applied padding on the p aspect of 7px meaning the element is actually 8px to big to fit inside space allocated. IE6 attempts to compensate with this by stretching the parent col1 which leads to their not being enough room along the page for each of the columns.
You may be sure any time a column has dropped down in IE that either an element is always to big to adjust to or we have a bug much like the double margin float bug. Always makes sure your inner elements actually fit within the outer elements otherwise things will break.
To fix this problem we should add a class towards the P element that may be holding the photo and take the padding from your P element and also the margin through the nested image.
Now IE6 will display correctly.
This may be the importance of checking at intervals of stage inside the browser that you would like to support since you can fix troubles before you pile an increasing number of code on top and struggle to get the original issue.
Once again you are able to compare your code with mine before we begin addressing the centre column along with the other outstanding issue within the Search Box.
Refer returning to Figure 15 on the top on the page for just a reminder of how the Centre column maincol is presented.
The right off the bat we have to address may be the heading on this section which appears to be almost identical on the headings we used from the side column but a different color. This will save us some code even as we can just give a comma separated selector towards the existing h3 styles as follows.
font-family: Arial, Verdana, Helvetica, sans-serif;
The color is over-ridden soon after with the best color and our heading is already styled. I have chosen a straight 2 h2 heading with this section as I trust it to be your second most important heading for the page. Always produce a logical structure along with your headings with just one H1 heading per page and follow logically with appropriate headings.
All that s left inside middle column is always to space the link out and color the anchors appropriately. So with a bit of trial and error you are able to soon come up using the correct dimensions. If you check resistant to the PSD you are able to keep tweaking a bit until everything's exactly as you need. Note which the line-height plays a significant part here mainly because it spaces the lines out nicely and provide the page some breathing space. Don t attempt to use padding as that won t space the consumer lines and can apply to your whole paragraph just like margins would. To space each line out demands the line-height to get addressed. With about 5 minutes of learning from your errors I finished up with this code:
text-decoration:underline;
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That s not far from our original and we leave it the way it is.
Once again it is time to compare your code with mine to make sure you are on the right track and then we are able to move on for the final issue which may be the search form that people missed out earlier inside the article.
We have to add a text box plus a submit button so consider the task on hand in figure 28 below.
Hmmm that s somewhat of a pain and I don t like graphical form elements because they're hard to style inside a cross browser way and I would prefer to make use of the standard form controls. However, I have asked the client plus the answer was no so we're going to have to carry out the best you can.
The text input has rounded corners so we are going to have to make the grade out with the PSD all at once and size the input to fit the dimensions. We may then set this image like a background image towards the input. This won t work with older Safari however it is the best we are able to do. The go button can even have being an image and we could use input of type image to accomplish this.
The inputs will both be absolutely positioned into place because they have to match up together with the background in the big image that's already inside background. To accomplish this we have to ensure that position:relative is applied on the parent element so that you can position accurately within that element. In fact spending budget done this anyway.
All that remains is always to remove the borders from your input and apply the setting image. The background image is scheduled at the correct position in the input as a result of bug in IE where the backdrop will scroll away when more text than usually stay visible is entered.
The exact positions might be gained from your PSD and now we end up with final code as follows.
no-repeat 0 0;
background:171b16 no-repeat right top;
Looking at figure 29 below we are able to see that is certainly very close towards the original which had been shown in figure 28.
Once again you can observe the full code here and make sure you have matching code.
That completes the code when we tidy things up by removing every one of the CSS to external stylesheets I m about to check layout, design in as numerous browsers as I can. Luckily I possess a browsercam account which enables it to get screenshots of browsers that I don t get access to.
Here may be the publically accessible page with screenshots in numerous browsers. Have a look through and appearance it out.
The the first thing I notice is the fact that I have forgotten to perform the box model hacks for your search input in IE5.x and also the size is incorrect. This can be easily fixed simply using a box model hack in this way.
Note the inside the last height inside the above style.
Eventually the hack will go within the IE only file and seeing when we have no hacks for IE7 in any respect, I will affect the conditional comments to talk about only ie6 and under like so.
You will find a full list in the operators for Conditional Comments here.
Looking throughout the other screenshots you will notice that older safari won t allow you to style the link input and has now a white background instead in the gray background image we used. However it still looks fine and is also eminently usable so I won t lose any sleep over it.
As far because article is concerned we'll leave it there for the moment but design could be improved further start by making sure the positions of all the next thunderstorm are correct and tweak them to fit the PSD more precisely. There are also some images that may be tidied up and sliced better as I notice a few couple of shading differences in some places.
Apart in one box model hack the other height hack the rest with the code is totally clean and simple to manage. It is vital to construct your layout on solid foundations at each stage then when you reach the finish of the design you've little testing to accomplish. Using the best approach likewise helps you avoid many in the IE haslayout bugs and easily making sure your parent wrappers possess a layout will minimize many bugs before you begin. You don t have to accomplish this for every parent but only parents that hold a lot more than simple content for example multiple floated or positioned elements. Remember that setting a dimension will be the easiest way to just make layout and quite a few times will not ought to be hacked otherwise.
Now that people are happy with the design the CSS may be removed with an external CSS file and when again the CSS and HTML needs to be validated. The final version may be found here but be aware that I have changed some path names from your earlier examples as I have merged the two image folders. I have likewise zipped the web page up to ensure you can download it.
Oh one more thing I ve left one small task available for you to do by yourself and this s to create and squeeze footer copyright text because it s missing at the moment. I hope you could have enjoyed working through this comprehensive example and you will now have a very better grasp of the best way to tackle projects in this way. In further articles we're going to explore methods for changing things around for instance moving the columns and headers and changing the column sizes. Or perhaps moving the original source html for that middle column higher inside the html and whatever else I can think about. So wait to your completed files as you will use them again the very next time.
I got around to posting the last in our popular number of PSD to CSS tutorials a couple weeks ago and I happen to be suprised at the amount people seem to get liking them. So much and we all are likely to let you decided what our next tutorial must be.
The 4th and final part is on its way in probably two or three weeks and must finish off nicely the best way to create these column design. But take it easy that wont be the tip, for the start you'll be able to download all of the content and enjoy it in your hearts content, but we're also also planning more tutorials based upon the Sanke Photography theme. In no time you should possess a full toolbox of tips and tricks make use of to make your own website using outright CSS.
Like I said across the main reason due to this post would be to ask everyone what you are trying to find CSS ease, place your tutorial ideas below along with the best most beneficial towards the learner ones we are going to turn into tutorials in your case.
shameless plug If you are struggling along with your CSS or merely looking to bring in help to ;acquire some css done, then please feel unengaged to use the contact page link within the footer to obtain in touch. /shameless plug
Dont forget to create your ideas inside the comments below!
Thanks for sticking to us and here we are in possession of part 3 of 4 inside our series of tips on how to turn a psd to css/html. In part 1 and part 2 i have told we created some from the major elements that we'll need so as to hold our content. This article will deal together with the more difficult left column and the many content from it, together with sorting out of the.
Some individuals have pointed out how the files are missing with the original tutorials. So you may download the main PSD at these location
Note: its a zip file that really needs downloading, so right click on the above link.
As mentioned inside the first article the psd, files etc are typical licensed beneath the Creative commons licence.
The current state of play may be seen inside image below and at this location.
If we compare this for the original PSD shown in figure 15 below you can view that we still need some work to try and do.
The elements we'll tackle within this and this article could be listed as follows.
2 Add the search form on top from the big image inside the header section.
4 Add the copyright message for the footer.
Most from the above is merely basic CSS along with the only two main troublesome areas that I envisage causing trouble will be the watermark images that sit on the base in the left and right columns as well as the graphical form elements. We will obviously work with the rest in the content comprehensive but that shouldn t cause us any problems.
For the 1st task we are going to try and place this image for the base from the outer columns.
There exist several problems to get rid of and it's good chatting them in order that we have an notion of what needs for being achieved.
1 Place the style at the bottom with the column to ensure that it always sits for the bottom it doesn't matter how long the column is.
To accomplish Number 1 above requires a small amount of lateral thought considering that the columns actually don't have any height in reality since they are created by background images about the parent container. Therefore we are going to follow the example we from part 1 with the article and we're going to position the watermark from an element that's below the columns and that is our footer element. As the footer already carries a background image in place you can t use another background image on the identical element. Therefore I am gonna place the photos absolutely through the footer and them with a poor top position to create them into place.
For number 2 above we are going to need to make sure each in our elements gets the appropriate z-index level set so that we could control the level on the initial background, the absolutely placed watermark image plus the text content. That means you will find 3 levels to consider in this particular process. In order for z-index to consider effect we need to make certain that non positioned elements have position:relative applied to make a local stacking context plus allow us to put the absolute elements with respect towards the current context instead of the viewport.
Number 3 is a bit more involved and I am unsure what is likely to work here all of which will have to use experimentation and see what the final result appears like. As I am constructing this layout in real time as we say I am allowing myself an opportunity to change my thoughts later should the approach taken doesn t figure out very well. I have two methods in mind as well as the first method should be to create a transparent gif which has a transparent background. The background will likely be green to check the current background color and often will be set because the transparent color making sure that it hopefully hides the ragged images in this index transparent gif. If this method fails doesn t look great then I may should use a transparent PNG and utilize alpha image loader filter for IE as stated earlier in earlier on this article.
Tackling Number 3 first I have created this image for your left column which image finest column by slicing the suitable elements from your PSD.
To position the look numbers 1 and two the footer first will need position:relative added to produce a stacking context plus to allow us being able to set the right z-index. To ensure the whole picture stays on top from the content above we shall give the information above a z-index of a and supply the footer a z-index of 2. Then you can give your floated columns a z-index of 3 to keep the words above the watermark image. We do not possess background images or background colors about the floated columns themselves so nothing is to worry about there.
main, contentwidth:975px
repeat-y 0 0;
display:inline;
The extra CSS continues to be merged to the existing stylesheet as shown above. The only items to note are that I purchased a class called watermark which defines a number of consistent properties for your elements and after that I used classes of w1 and w2 to deliver the positional differences. This saves about 4 lines of code but may be worth doing because something that reduces code weight is great as long as readability and usability doesn t suffer. The courses are applied together employing a space to discover them.
You may use as many classes as you want with this manner so long as you separate them by way of a space and they will track the normal rules on the cascade because the later varieties of same weight and origin will win out.
There are not any spare elements to use for that watermarks so I am going make use of two empty divs and after that absolutely position the divs into position. I don t like using empty elements but sometimes there isn t an option and I simply have to grin and bear it.
The result as noticed in Firefox is shown in Figure 17.
Although the wonderful pictures look really jaggy when viewed individually and outside of context we can easily see that after they are placed within the background next the edges are softened and merge in using the background. Bearing in your mind that most with the time there'll be text content overlapping these images I m pleased to accept this substandard quality. If you desired much sharper images then you would ought to use PNG images together with the aforementioned hacks for IE6 and under.
The live example is usually seen here for you personally to examine and compare.
For people using IE6 and under you will see that we use a problem!
The bottom from the layout that has been previously fine has all gone awry as affecting figure 18 and is also in desperate necessity of help.
We have lost the base part from the layout and we must bug hunt to see what caused IE6 to misplace it.
The easiest method to see what s allowing the problem is usually to retrace our footsteps and take away one element at the same time until look for the trigger with this behaviour. This is why you will need to check your work at each and every stage in numerous browsers or you might build a whole page within this broken issue.
The initial step in my bug hunt should be to remove the two watermark divs through the HTML as this may be the most likely culprit. Removing the 2 main divs and checking again in IE implies that everything is actually back to normal. Now that individuals know what are the problem is we ought to find away of doing that which you want having to break IE6. Is there a specific style which induces the effect. To test this out we have to put back the HTML for that watermark divs and selectively delete styles that affect them and pay attention to if we are able to trigger a result. It soon becomes apparent that we could delete each of the styles that refer on the watermark without finding an authentic trigger to the effect.
This leads on the conclusion that this problem have to be the HTML that any of us added. We know already that taking off the HTML will set customized for specific cultures back to its correct position. Fortunately I have seen this bug before and know exactly what the solution is. IE6 doesn t just like the fact that we've got placed empty divs inside footer especially with each of the styles currently placed on it. The option would be easy therefore we simply must ensure that we've got some real content inside footer and our image will return. If we put in a line of text that can eventually be the copyright message we view everything jumps time for normal.
IE6 now shows everything correctly and we are able to continue with our testing with the addition of content for the three columns and view that our layering is certainly correct and everything overlaps mainly because it should. Grabbing the writing content from the PSD and inserting it to the HTML unstyled for the present time and unformatted you can then test our layout thus far.
Unfortunately, we need to have done something wrong because our layout has overlapped incorrectly as might be seen on this live example along with the screenshot below.
We have incorrectly addressed the z-index layering of the elements and also the watermark is on top in our text content that is not a very important thing.
Referring time for our original plan we set our content main to use a z-index of 1 along with the footer a z-index of 2 and after that we gave the columns a z-index of 3. Although this may seem logical it is certainly flawed for the reason that columns are contained within main which only incorporates a z-index of a single. Ultimately it may be the parents z-index that determines the stacking degree of all its children pertaining to other elements outside our current stacking context. We could have due to the columns a z-index of 100000 nevertheless it would be to no avail because main is z-index:1 as well as the footer is z-index:2 which is outside of main. Therefore the footer will usually be on the top of main and then of its children regardless of their z-index could be.
One solution to this challenge is to get rid of the z-index from main as well as bring every one of the children under the identical roof and also to have precisely the same parent outer. This means which the children s z-index will probably be honored amongst each other and this also does indeed fix the matter in most browsers as shown inside Firefox screenshot below.
Unfortunately, once again, we've problems in IE all of the way from IE7 backwards. The watermark still overlaps the written text even though we have now removed the z-index from main. The problem is always that IE incorrectly assigns a z-index of zero when a component is positioned rather then applying a worth of auto as defined within the CSS specifications. This means that IE will always make a local stacking context for the children and results in the problems we're experiencing. In order to combat this behaviour we also ought to remove the positioning:relative from main in order that a local stacking context isn t created once again all children can live under a similar roof.
Removing the positioning:relative from main fixes IE and that we now obtain the result noticed in figure 20 above. The only downside is this prohibits us from placing any absolute elements pertaining to main as we ever needed to from the future. However, for that time being we don t should do this so we'll call this a solution for the moment and end up getting this final code you should rival yours in case you are working together with me. Ignore for your moment the content we pasted from Photoshop because html needs to get tidied up and applied semantically so we shall be changing everything shortly.
Now that we now have sorted the watermark and also the layering issues we're going to turn our attention on the more mundane tasks of styling the content inside the columns. We curently have some dummy html in position but now we ought to format it and magnificence it correctly. As a refresher see Figure 21 to the result we should achieve.
The issues to overcome within this section are highlighted below.
1 Create the heading with the appropriate level as well as in the closest font to fit the PSD or maybe use a photo if we can easily t get close.
2 Slice the graphical components on the PSD. The various icons, the faded underline, the photo from the month image.
3 Position the sun and rain with the right spacing and margins to suit the design.
The only slightly complicated task above will likely be placing the page icon that goes prior to a lorem ipsum text. We could utilize a background image due to this at the start on the line but we would ought to ensure the cloths line was high enough to indicate the image understanding that content doesn t wrap over the look. Although we're able to do this with padding this means that all lines is going to be as high as the style which probably isn t a good option.
A second approach will be to float the look into place from the background of an aspect of appropriate dimensions and also this would allow the words to wrap quite nicely. All that can be needed should be to insert a span and apply the right styles into it. The only bad thing is that every one of the dimensions would have to be specified and addressed correctly in order for that image to stay correctly.
A third and my preferred approach is simply make use of an image from the html. Nine times from ten any time a designer sticks an icon from the page like normally the one above additionally, they want that icon being a connection to more content. It is so much easier to work with an image inside HTML mainly because it does not incur additional code overheads or extra mark-up as a way to place it correctly. As long as the style is inline by default we can easily control its vertical alignment and it can definitely be turned in to a link as appropriate all without setting dimensions or much CSS by any means. It also aids accessibility in this the image alt attributes are available to every one unlike experience image. Therefore we are going to take this approach and discover how everything pans out.
Let s tackle the headings first.
The the first thing to note is the fact that the designer has again used a non standard font so we need for getting the closest match you can or use a graphic combined with image replacement techniques or SIFR when you are into flash based alternatives. I am going to attempt to use Arial text in the identical way that I did for your navigation because it appears quite a lot like me. It is so far better to have text headings inside the HTML since it is better for those and naturally so less of a challenge to work with. However if it doesn t look great then it s another matter and you will should discuss together with your client what options for taking.
The results look nice enough to me but I know they won t be great enough for some this also is a decision only it is possible to make.
I am going to make use of Arial in a H3 heading as I think which will be the best level because of this column. It seems that style is consistent so I will style the h3 directly without the need for just a class. I also observe that column1 col1 is slightly misplaced so I will line it by changing the margins a little. The revised CSS can be as follows:
Once again we now have let CSS turn the written text into uppercase making sure that we don t need to type in capitals in out HTML. I have used letter-spacing to shorten the width from the text a bit bit making sure that it matches more closely the PSD.
Figure 22 shows an evaluation between our HTML version on top along with the original PSD heading below.
Although you'll find still some differences I am very happy to proceed because it is far better to make use of normal text than it would be to have to make use of images and image replacement techniques.
Next we tackle the written text under the heading consisting of the page icon and some text that has a border that fades with the ends make reference to figure 12 above. Looking in the 3 items within the Latest News heading we're able to almost consider them as being a list of topics and employ a list structure. However, I feel that paragraphs tend to be appropriate since they are really just three paragraphs of content following the other person.
The icons plus the underline will have to become cut out as transparent GIFs simply because they are officially used on different backgrounds. Again you will encounter the jagged image problem but in case you choose your transparent colors carefully it really should be good enough to the task at hand. I have created three images that people need for your next section and they may be found here.
The lines of text are spaced apart so we shall use line-height to space them correctly and margins and padding to make space around them. I am about to put the underline within the background with the p element and set it central and on the bottom which means we're going to need some padding bottom around the p element to allow for room with this image to come up with.
Although, it isn t really needed I am likely to wrap a few paragraphs of text inside a containing div making sure that I can apply styles to the next thunderstorm inside that div without making use of lots of classes although we're going to need some classes.
Lorem ipsum dolor sit amet, consectetuer adipiscing elit.
Nam magna lectus, dapibus ut, ultrices at, fermentum eget, ligula.
The top section is contained in a very div plus the icon image is inside the html. The underline is image is placed inside background with the p element as outlined above. The double arrow may be put inside of a span as it needs to become styled being a white color compared on the rest in the text that is black. We can then pinpoint the span through parents class while not having to add another class towards the span. The downside of the would be should you had more span elements in this section that you simply didn t want styled and after that you would have to use a class for your span instead. Fortunately we don t have demand of another span so we could simply target it with the parent s class.
For the final line in this section I have added a class of readmore to apply towards the last line which needs to get right-aligned and bold. I could have succeeded in doing so without a class by gps unit perfect anchor directly but I although it wise to build a class on this instance because the readmore style is likely to get used elsewhere. If you look closely in the HTML above you might also see I have applied a class called last for the last paragraph as section. The reason because of this is which the last paragraph doesn t come with an underline so we must remove the image through the last one. Unfortunately we cannot utilize the:last:child css3 selector as IE doesn t support it so we should add another class towards the element concerned. Finally, to acquire the text to the correct only needs text-align:right applied for the p element and this more or less completes the very best section.
The Full CSS for your section is really as follows.
no-repeat center bottom;
Notice how the page-icon image may be declared as inline to ensure it behaves like text. The vertical alignment has also been set to middle making sure that it gets positioned correctly in respect to your text.
Although images are inline by default we now have set all images to get block in out global stylesheet and that would be the reason we required to set them to inline here. I also put some extra right margin within the image to give a tad of breathing space.
The next task could be the Photo from the Month section which uses exactly the same style of heading and text since the previous section. Therefore we could re-use our news class within this section but in addition add another space separated class to over-ride a couple of differences on this section.
If you study figure 21 above you will notice that the Photo with the Month section is definitely pulled over for the left by about 7 pixels roughly compared to your news section move this into line I am going to work with relative positioning instead of margins although I could manipulate margins also. This is always to show you how relative positioning might be used without harming design.
This will shift the element 6px on the left from where it absolutely was. It will not customize the flow on the document at all and definately will cause no ill effects within this situation. However as we had shifted the element on the next paragraphs with relative positioning you'd probably find that it could overlap elements and be considered a pain to utilize. The fact in the matter is the fact that position:relative only moves elements visually instead of physically. They always occupy their original place inside page however appear for being somewhere else. As far as additional factors are concerned the element hasn't moved by any means. This is why you should be careful should you use position:relative as it s definitely not meant for structural layout nevertheless for more subtle effects or where you desire elements to overlap without disrupting the flow with the document.
If you would like to move a feature then most times you'd probably use margins since this would keep other components away from the distance specified and cause elements to re-flow accordingly.
In this photo section we have now another heading the identical as what is this great section so we'll use the h3 again that is already styled correctly. The big image that follows is actually content and ought to be in the HTML rather than experience image so I will wrap the whole picture in a p element and insert it to the page as shown below.
If the answer then is yes it really is decoration and bears no importance for the content then it ought to be a background image. If about the other hand the picture is important for the content like this photo from the month image the it must be in the HTML and not the backdrop. I have wrapped the style in a p element because I dislike anonymous inline boxes and always be sure that inline elements are within a suitable semantic container.
We must cancel out a number of styles which were applied through news class because bottom section doesn t come with an underline image plus the spacing in the H3 is slightly different. Therefore we'll use the photo class I mentioned earlier and over-ride a couple of styles as follows.
We in addition have the opportunity of re-using our readmore class and will apply it towards the Visit Gallery text with the bottom. Also needed would be the last class to set the right bottom margin.
We may now compare the PSD and also the HTML versions side by side because of this section.
There are minor pixel differences and should you wanted to pay a little more time you might make the examples even closer but I think how the above is close enough for the present time and looks excellent to me. In fact its quite not easy to tell which image may be the original PSD.It s within the left.
Now will be a good time available for you to compare your code while using state of play up to now and to validate your code and browser check just as before.
I notice within the above image that a final paragraph in the PSD is more indented than mine so we can easily target that paragraph because it already incorporates a class of last placed on it and pad against each other a bit.
That wraps in the left column and you can move onto the best column from the fourth and final part individuals tutorial series. I hope you are following along and experiencing the tutorials, feel liberal to leave questions and comments below.
Welcome to part 2 in our tutorial. In part 1 we came up with the basic structure from the site which we are planning to build our photography site. This will be the second within our 4 part series concerning how to take a PSD file and convert it in a fully CSS based html page. These include the first inside a series of tutorials during which we produce a fully working Photography site, all in clean Xhtml and CSS. All the code, templates and files are available to suit your needs to enjoy, therefore we encourage one to download and use what is provided. The design template is licenced underneath the creative commons licence.
We will still be working from the identical PhotoShop file PSD and within this part from the tutorial we are about to flesh out layout, design a little more and by the final it really should be looking a whole lot more just like the design we're working from.
In case you would like reminding or are not used to this number of articles, below is that which you are looking to achieve. Here would be the first PSD to CSS html tutorial
At the conclusion of part 1 we finished by creating ab muscles top Navigation with the site, part 2 is gonna start while using logo and tagline below the most notable nav. Lets get started.
The first main graphical element would be the logo and tagline that's reproduced in Figure 2 below.
As with any graphical element you must think of ways that sections might be repeated to reduce file size. Unfortunately just for this element there isn't any uniform section that might be repeated while there is an undulating wave effect covering the complete layout. Also you will find rounded corners and beveled edges to consider and also the number of images used could well be many.
In order to simplify things I am gonna place most with the image at once. I will take off the logo for the left side and also take off the lorem ipsum text from the appropriate side. This will leave us which has a background as shown in Figure 3.
We can then placed the company logo for the right hand side plus turn it easily into an anchor that can point towards the home page much like usual.
The lorem ipsum text was removed from your image because it can be changing on different pages throughout the website so I wished to make it simpler to adjust afterwards. The text is clearly graphical and the way it is part with the logo I am gonna place it as a photo but use some text replacement techniques to ensure that the content articles are still offered to search engines the ones alike. The image will have being placed exactly to fit the background but this shouldn t be too difficult as you're able compare the positions in the positions that you simply cut out from your PSD.
I am planning to place the look shown in Figure 3 to be a background image and after that overlay the logo like a foreground image because I think the logo is significant. As mentioned the lorem ipsum tagline text will be a graphic but will have a very text alternative for screen readers etc. Any image replacement fails at some stage however, many are better than others and again its another choice that only you'll be able to make whether or not you should follow this route or you cannot.
There is yet another issue of the items elements to use with the logo and tagline?
Some people advocate utilising an H1 element for that logo within the first page and many will argue against it. I believe that an H1 should describe the page content exactly and when the logo includes a text equivalent on the main heading then it might be used. In our page the brand says Sanke Photography but further down the page we have now another heading saying Sanke Photography Tutorials. So which will it be to be?
I can t answer this question for each case nevertheless it seems for me that the web page heading must be Sanke Photography plus the sub heading is Sanke Photography Tutorials. Therefore within this case I am planning to put the logo within an H1 element but to hedge my bets I am also gonna include the subject within the h1 because it will add extra content and meaning on the subject. However, I would don't have any objections to having the emblem and saying in paragraph tags and also the main heading because the Sanke Photography Tutorials heading that's further down. As you can view I m sitting about the fence here a lttle bit so feel liberated to make your mind up.
We are likely to use a component called tagline that will hold our logo and tagline so we have to create an element with the correct dimensions to hold on to our background image. We also need an overlapping effect due to your graphic around the right on the image that rises up alongside the words. We can create this with a bad top margin on tagline that may pull the picture upwards and next to your navigation. To avoid stacking issues we are going to set position:relative about the nav additionally, on tagline and after that set the z-index on each to ensure the nav carries a higher z-index and sits on top with the background on tagline. This is accomplished as follows.
Remember that only positioned elements can have a very z-index applied so you must add position:relative should the element isn t already positioned. The other by using position:relative is it sets a stacking context additional positioned elements and we can place our logo and tagline absolutely into position in this particular element rather than based from your viewport.
The image replacement method we are going to use would be to place the whole picture in an inner element then drag it on top in the text content to disguise it. As long once we set a width that the height and with with the image you can then set overflow to hidden and then for any text that spills out will probably be hidden. This allows for that text to get available to screen readers and users alike should images or CSS be put off. We try this for both the logo as well as the tagline and have HTML and CSS as follows.
The cursor:pointer is added towards the em that is certainly inside the anchor that can help IE remember that it's still an anchor and show the best cursor.
If we look closely on the html we could see that this h1 doesn't have real styling and therefore we are able to get rid on the div all around the h1 and apply the ID directly for the h1 instead as follows. We simply provide H1 the tagline ID and take off the div surrounding it.
The only CSS change would be to remove the next code which is currently redundant.
The layout so far is usually viewed here and you will check it matches with yours when you are working as well as this. Just view source and you will notice the code because relevant CSS remains embedded from the head.
Figure 4 shows the result in our work up to now.
That looks pretty good at this stage you register as many browsers as possible to make sure all is well. You should also try resizing the written text to see if there is certainly any overlap that is certainly unacceptable. There are bound being some minor things on text resize but it is best to endeavor to always maintain the page usable within reasonable limits.
Figure 5 shows the writing resized to smallest and largest in IE6 and is looking good.
Moving about the next element which would be the search box plus the main page image graphic we must decide what quality this image will ought to be. Its a large image and can be an extremely heavy file size. I have optimised it to about 50k and that is still large but it really was originally about four times that size. Because this can be a photography site we probably have to make sure the pictures are of your good quality possibly at this stage I would cut the style out and earn 2 versions in case the buyer wants an improved quality in a later stage. So whenever you save an enormous image such as this do who you are a favour and save a better quality version also should.
Remove the search box from your image and cut the picture to the correct dimensions. It is additionally worth looking slightly further listed below and you will notice that the next elements has rounded corners and beveled edges so you can save time by such as the top with the next element using the search box image and end up with a graphic like this and as noticed in figure 6.
As this element can be a fixed width and height and there is definitely not any text that could break out when resized so we can easily place this entire image together background image which has a fixed width and height. That makes things easy and we are able to still overlay our search box in place using absolute positioning. In order to make by using absolute:positioning inside this element we're going to need to be certain once again that any of us set position:relative for the parent as follows.
That was pretty painless and our layout is starting to look at reasonable shape as affecting figure 7.
We start to begin some more complex areas and this will be the main part with the site with three columns throughout the screen. The columns can easily be floated across but we are gonna have to think of 3 main things.
1 The vertical faded gradient that may be on each column.
2 The 3 equal columns that can match each others height.
Issue you have two solutions that people could use. We could please take a vertical slice of each on the columns subsequently of about 5px x 250px which contains the complete gradient. We would then have to repeat that image in each on the floated columns as required. The only problem using this type of method is the fact the PSD shows a little gradient horizontally as well and as well shows fading beveled edges. If we were to continue these small slices we might need no less than another 4 images for each and every edge also and forget around the horizontal gradient altogether.
The second solution would be to simply cut the full background out in one fell swoop. While this may seem a little heavy handed you can actually cut a fairly big image of 975px x 270px but optimise it right to about 3k with little decrease of color. This saves multiple background images and gets us much closer to your original design. This would be the method we shall use and results on this image being produced and may be seen in Figure 8. As with the many other images I have cut some on the background with the whole picture to allow for your slight background fade.
Issue two is usually tackled by setting up a horizontal slice which contains all three column colours and we could repeat this around the main parent in this section that may be holding the 3 floats. We make the slice by ensuring that people slice through the finishing colour from the vertical gradient. This gives us the next image.
This image is going to be repeated within the y-axis in the parent in this particular section and may provide full-length column colours that frequently remain equal with one another. We will then overlay about the top part of the image the bigger gradient image as shown in figure 8 to ensure we have the good gradient effect we wanted. This will mean an extra element will have for being nested to keep this image nonetheless it is worth the cost.
As the page expands the repeating slice comes into play and when we have cut the photos out correctly there ought to be a seamless transition relating to the two images.
The nested element named content has been included in hold the large gradient image while main will retain the repeating slice. As content can even contain our three floated columns we should make sure the floats are cleared and you can do that simply with the addition of our clearfix class towards the element involved. This will make certain that the floats are cleared along with the background on the parent extends together with the floats and isn t left out.
Floats are removed on the flow and definately will float away from their parents reaches until you do something to prevent them. I m quite happy to utilize the clearfix method with this case but you must be aware with the various issues linked to each method.
The hack for IE6 and under is given it doesn t understand min-height but luckily does treat height almost as min-height which suits our purpose nicely. We need a min-height here because in the vertical gradient and when we don t allocate enough height our repeating slice will repeat at a section that doesn t match.
The result from the above code may be seen in figure 10.
To allow content being pout into these columns just requires us to look at the columns and apply the required margins to your floats to create then all lineup where we wish. the measurements I have think of are as follows:
You must make sure all these dimensions integrate your container otherwise floats will drop or even be misplaced. We have 975px to experience with along with the widths and margins with the floats adds as much as exactly 975px. There is additionally a fix inside code for IE6 and under that could double the margins on floats where their side edges meet their parent s container. The fix is always to add display:inline towards the floats involved and miraculously fixes the condition. Floats are display:block and should not be made to get display:inline therefore the fix is actually nonsense and should do not have effect but luckily for many people it cures this bug. Other browsers is going to take no notice of display:inline since it does not sign up for floats.
All that s left graphically with this section should be to somehow give a rounded corner base to your bottom from the right column as seen inside original design. Its also worth noting that the complete page is capped using 2 more rounded corners also. There is no real way that we are able to find the bottom in the right column as a way to place a rounded base there because the best column content is merely a float of content height. Therefore we are going to take a new approach and apply the complete base using a background image within our footer element to finish the illusion.
Slicing the full three column base in a single goes results in a perception like this that's also shown in figure 11.
We can go on a look at layout, design so far and I have coloured these columns red so you can check the positions are correct.
That looks pretty much right and so the red colour is now able to be removed. The layout so far might be seen on this live example.
In your next part with the article we're going to add the material for each column along using the search form that any of us forgot to put in position. We also ought to find methods to implement eco-friendly remaining structural graphical issue in that we shall need to find a means of placing the watermark image that may be seen on the bottom on the outer columns. This will be the image and is also shown in Figure 13 also.
This will prove quite tricky as the style is anchored for the bottom of columns 1 and 3 as well as times will overlap the gradient background. However we'll leave that to the next occasion but you should experiment and try on your own.
There will even be some tidying up to complete and once we've tested the end result thoroughly from the browers you should support we shall remove the CSS from your Head just as soon as again validate the CSS and HTML to protect yourself from any unforseen errors.
This will be the first in this 4 part series concerning how to take a PSD file and convert it in a fully CSS based html page. These will be the first inside a series of tutorials during which we make a fully working Photography site, all in clean Xhtml and CSS. All the code, templates and files are available in your case to have fun with, and that we encourage one to download and use what is provided. The design template is licenced underneath the creative commons licence.
Lets get on with all the tutorial!
One in the hardest areas of converting a PSD design right into a well structured and semantic CSS/HTML layout is first knowing how to start. Although that might sound simplistic and obvious, it does matter the method that you begin knowning that you expand strong foundations to get started with. In this number of articles I will need you step-by-step through the conversion process and look at decisions that have to made around the way and just how those decisions may should adapt as things progress. The article is not going to address any specific graphic techniques slicing and optimising simply because this varies from paint package to package and is particularly not the subject on the article. You will of course ought to know how to try and do these things and I am assuming that you simply already have this basic knowledge.
For a starting place we are about to assume which you have just been handed a PSD through your clients designer and asked to transform it into valid and workable CSS/HTML. Obviously it can be better in the event you had input about the design prior to fait accomplis was presented with to you but to the purposes on the tutorial we are going to just believe that this could be the case.
Here is really a smaller image with the layout we are about to eventually produce.
At first sight the design looks quite straightforward before we begin we should please take a closer look at the next thunderstorm and identify possible trouble spots. At this early on you may have to make important design decisions and that means you must possess a clear understanding of how the design could be achieved through the very start. If you identify areas which might be impossible to create over a living webpage or would provocke many browser issues it is best to discover them now and notify the consumer before you begin.
It can also be worth mentioning at this stage that you ought to have already agreed using your client just what work you are carrying out and what exactly they are purchasing. If you don t define the actual parameters with the job at hand you will find that the customer will take advantage in this and ask for every single possible addition underneath the sun and expect support forever all for any pittance.Some customers are not this way but there's a number who is going to be very sharp.
With the disclaimers out from the way we could get on while using job available and look at initial issues then break design down into more manageable chunks. The first question that needs to become asked is actually this is really a fixed with layout or maybe a fluid width layout where each column can stretch. Of course you ought to consult together with your client on these things but for your purposes with this first tutorial we are going to assume that it s a limited pixel width layout. Later on inside the series we'll explore the way to convert the example into a fluid layout or perhaps an em based layout. But with the first article we are going to stick with pixels to have the process slightly quicker to begin with.
My initial applying for grants looking for the PSD before even coding a distinctive line of html is always that the designer has provided lots of gradient and shadow effects in a variety of places plus added rounded corners to some with the design elements. For example the background in the design carries a vertical fade that fades from 282f27 to 000000 spanning a 880 pixel range. That is not an issue in itself in that we are able to repeat a vertical slice around the x-axis with the body while at exactly the same time setting our bodies s background color for the finishing color on the fade 000. This will allow the design to extend vertically forever without problem. The complications will arise for the reason that the header elements have a very a slight background fade placed around them that varies with all the body s fade.
1 Create the fade throughout the element using PNG transparency for your fade to ensure the body s faded background can show from the opaque PNG image. Although that is fine for most browsers you can find severe difficulties with IE6 and under that won t render the transparent PNG properly. We could utilize proprietary alpha-image loader filter to atone for IE5 and 5.5 if we've got no other choice but this comes which has a number of associated problems and really should only be utilized when there isn't a alternative.
2 Slice the next thunderstorm background using the gradient shadow set up and match it up on the body s gradient background. As the header elements are a limited height next the should work fine. Of course should text be resized and sun and rain allowed to grow then your fade can become mismatched. However, I thinks that s a little price to pay and keep the code simpler. Therefore this could be the approach we're going to use because of this method of course, if we find out later that the not good enough you have to may should think again.
To roughly see what elements you need to the whole page you may create a wire-frame take a look at your site in a choice of your mind or merely draw it written. Here is really a quick mock up with the basic structure of the page.
Although I am not gonna build this wire frame for sure it does supply you with a good visual clue about what needs to become done as well as provides some logical order for the proceedings. Some people will in fact construct the wire frame version but I find this often gets inside way during development so we are going to do this my way and work our way from the page one element each time and through the top down to your bottom.
Each area will show its own little problems nevertheless the basic structure may be seen to get a centred layout with three full width static horizontal sections as well as three columns that will must be floated throughout the screen. The main part on the site will likely be the three floated columns along with the big issues we shall need to overcome include the three apparently equalising columns. This could be accommodated quite easily in this fixed with layout with a repeating background image that produces the three columns automatically if we repeat it with a parent that's holding the columns.
There is going to be additional issues to overcome within the main section because you can find also vertical gradients and images aligned on the bottom to consider therefore we may should adapt our design once we go. But for the moment it s good enough to obtain realised this and considered just what the options are. If at this stage you believe something to become impossible as you cannot assume all designs is usually transcribed on the web it is best to contact your client and seek alternative strategies if your design have to be changed, Better to raise issues now rather that have your client say it should be like this when you might have finished.
After identifying the leading issues and ratifying any design changes it's once again time to start around the real work and do some coding and slicing.
As stated previously I like to work towards one element during a period in a logical fashion and we tackle all these issues in turn plus the process will look in this way.
1 Grab font sizes, font families and basic colors through the PSD and hang up up CSS defaults for these particular including your favourite Reset CSS snippet. Also set in the default font-size structure that could allow for text for being resized in IE6 and under. In fact it is such a common process that you simply should already use a template set up in order that you can start work immediately and allows you simply to change the font family and colours and from you go.
2 Measure customized for specific cultures so that we can easily create a wrapper for that content because the page needs for being centred so all content could be within the wrapper. However some designers use a width about the body element rather than using an inner wrapper but this presents problems in older IE browsers and I recommend leaving the entire body alone. However it really is an option in case you want being really minimalist.
I learn that I am often giving PSDs of 800px width since the graphic designer has become told that it is for the 800 x 600 page and doesn t realise that 800px would be to wide on an 800px page on account of chrome and scrollbar issues. The design would should be about 760px wide determined by browser so as not to trigger a horizontal scrollbar. This is something you might get accustomed to and should look out for.
3 Start for the top and work down.
Working logically makes it possible to break the work down into sections to ensure that you can work towards one thing at the same time and plan the project accordingly. You always have to get an eye on which s coming next but paying attention to one thing at any given time will focus your efforts and offer you feeling of accomplishment when each element is finished rather that having half finished elements everywhere.
In our PSD we have now the navigation with the top followed with the logo and subject. Then follows a header image with search box. Finally we now have three columns as well as a small footer with copyright message.
I like to utilize logical names to the sections and although there's some debate about what make use of for each element it can help should your naming convention allows for your fact that maybe your html will probably be arranged with a later date understanding that your element names still seem sensible. If as an illustration your left column is known as leftcol along with the at a later date you switch it using CSS to be the appropriate column then it may be very confusing. It s better make use of a more generic but functional name for example sidebar1 for your left column and sidebar2 finest column or perhaps col1 and col2. However you might move the sidebar for the middle and it wouldn t be considered a sidebar anymore so think carefully about your names but don t exaggerate with names which can be so generic that you simply don t determine what they consider.
header contains nav along with other header elements for example logo and search.
For other internal elements we shall use classes. Remember that IDs has to be unique and will t be used greater than once per page.
We will have enough to publish our erogenous html structure and hang up some default stylesheets making sure that we are able to roll.
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If you'd probably like to learn more in regards to the discipline, look at our blog. Its filled with facts and tidbits of information to aid you improve postures, eat healthier, have better meditation sessions, plus more! Stay motivated. As part of the Facebook community, youll receive the inside scoop on every one of the best deals and also industry news, inspirational stories, and quotes.
Join our yogi family by becoming a member of our weekly newsletters. Learn about weekly sales and precisely what is going on inside world! Each week we highlight category for sales of around 30% off! Does not sound awesome?! Better still, you are going to receive 10% off all of your next order along with us just for applying.
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