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With animation presets, it will save you and reuse specific configurations of layer properties and animations, including keyframes, effects, and expressions. For example, in the event you created a blast at the using several effects with complex property settings, keyframes, and expressions, it can save you all of those settings being a single animation preset. You can then apply that animation preset on a vacation layer.
Many animation presets dont contain animation ; rather, they contain combinations of effects, transform properties, and so forth. A behavior animation preset uses expressions as opposed to keyframes to animate layer properties.
Animation presets may be saved and transferred in one computer completely to another. The filename extension for the animation preset
After Effects includes many animation presets that you could apply to your layers and modify available for you, including many text animation presets. See Text animation presets.
You can browse and apply animation presets in After Effects with all the Effects Presets panel or Adobe Bridge. To open the Presets folder in Adobe Bridge, choose Browse Presets on the Effects Presets panel menu or on the Animation menu.
A easy way see how advanced users use After Effects is to use an animation preset, and press U or UU to disclose only the animated or modified layer properties. Viewing the animated and modified properties teaches you what changes the designer with the animation preset built to create the animation preset.
The animation presets which can be installed with After Effects come in the Presets folder perfectly found on the Program FilesAdobeAdobe After Effects CCSupport Files Windows or Applications/Adobe After Effects CC Mac OS folder.
My DocumentsAdobeAfter Effects CC Windows or Documents/Adobe/After Effects CC Mac OS.
You can also add a single new animation preset or perhaps entire folder of brand new animation presets to either in the Presets folders.
When After Effects starts, it searches both from the Presets folders in addition to their subfolders for installed animation presets and adds those to the Effects Presets panel. After Effects ignores the valuables in folders with names that begin and end in parentheses; one example is, the contents with the folder archived animationpresets will not be loaded.
Animation presets show up in the Effects Presets panel on condition that they are positioned in one from the Presets folders or possibly a subfolder of one on the Presets folders. If you move a preset completely to another folder, place a shortcut Windows or perhaps alias Mac OS of the folder within the Presets folder.
Animation presets are loaded and initialized not until the Effects Presets panel is shown. If the Effects Presets panel is closed or hidden behind another panel, the animation presets usually are not initialized.
Select any mixture of properties by way of example, Position and Scale and property groups for instance, Paint and Transform. If you are selecting only effects, you may select them inside the Effect Controls panel.
Choose Save Animation Preset from your Animation menu or in the Effects Presets panel menu.
Specify an identity and location with the file, and after that click Save.
For the animation preset to show up in the Effects Presets panel, it should be saved inside the Presets folder.
If the animation preset does not show up in the Effects Presets panel, choose Refresh List from your Effects Presets panel menu.
You can download additional animation presets including a number of animation presets that produce use of shape layers and per-character 3D text animation in the Adobe Add-Ons page.
If you are applying an animation preset through the Animation Presets Shapes Backgrounds category, you are able to see a custom Animated Shape Control effect from the Effect Controls panel. This custom effect is really a specialized expression control effect which was created specifically of those animation presets. You can copy and paste this effect for some other layers, or it will save you it as a possible animation preset itself so you could apply it elsewhere.
You also can download animation presets from many After Effects community websites, including the AE Enhancers forum.
For an index of animation presets offered with After Effects, see Animation preset list.
After Effects incorporates a variety of effects, which you sign up for layers to feature or modify characteristics of still images, video, and audio. For example, an impact can alter the exposure or colour of an image, add new visual elements, manipulate sound, distort images, remove grain, enhance lighting, or build a transition.
Effects are occasionally mistakenly termed as filters. The primary difference between a filter and a consequence is that a filter permanently modifies a picture or other manifestation of a layer, whereas an impact and its properties may be changed or removed any time. In other words, filters operate destructively, and effects operate non-destructively. After Effects uses effects exclusively, so changes are non-destructive. A direct result on the ability to affect the properties of effects is the fact that the properties could be changed as time passes, or animated.
Path operations on shape layers, including Zig Zag and Pucker Bloatwhich you are applying through the shape layers Add menuare called effects in Adobe Illustrator, however they function differently using their company effects in After Effects.
You browse and apply effects with all the Effects Presets panel. You modify effect properties utilizing the Effect Controls panel or Timeline panel or by moving effect control points inside the Layer panel or Composition panel.
You can put on multiple instances in the same effect to your layer, rename each instance, and place the properties for each and every instance separately.
Chris and Trish Meyer supply a video for the Focal Press website that introduces effects and animation presets and shows how to change this Effects Presets panel. Chris Trish Meyer give suggestions about applying and making use of effects in a article for the ProVideo Coalition website.
If you open a project that uses a result for which After Effects has not yet loaded the plug-in, a stern warning dialog box appears, and instances on the effect have Missing: at the outset of its name from the Timeline panel and Effect Controls panel. To show all cases of missing effects within the Timeline panel for that active composition, press FF.
All effects are implemented as plug-ins, for example the effects that happen to be included with After Effects. Plug-in s are small software moduleswith filename extensions such, that add functionality in an application. Not all plug-ins are effect plug-ins; as an example, some plug-ins provide features for importing and dealing with certain file formats. The Photoshop Camera Raw plug-in, one example is, provides After Effects featuring its ability to assist camera raw files. See Plug-ins.
Many effect plug-ins are developed in C/C; increasingly, many image-manipulation effect plug-ins are written inside Adobe Pixel Bender language.
Because effects are implemented as plug-ins, you'll be able to install and make use of additional effects that parties apart from Adobe provide, including effects that you simply create yourself. You may add a single new effect or perhaps an entire folder of brand new effects on the Plug-ins folder, that's located automatically in one these folders:
When After Effects starts, it searches the Plug-ins folder as well as its subfolders for those installed effects and adds those to the Effect menu and for the Effects Presets panel. After Effects ignores the belongings in folders with names that begin and end in parentheses; for instance, the contents in the folder archivedeffects aren't loaded.
After Effects includes several third-party plug-ins, including Foundry Keylight, Synthetic Aperture Color Finesse, Digieffects FreeForm, Imagineer mocha shape, fnord ProEXR, and CycoreFX HD plug-ins. These plug-ins are installed automatically with the full version of Adobe After Effects software. Some of the plug-ins will not be included using the trial version of Adobe After Effects. See Third-party plug-ins added to After Effects.
After Effects includes Synthetic Aperture Color Finesse 3.
The installers for most plug-ins install their documentation inside same directory because plug-ins themselves.
The EXtractoR and IDentifier plug-ins from fnord software are incorporated with After Effects to deliver access to multiple layers and channels of OpenEXR files. See ProEXR plug-ins, IDentifier and EXtractoR.
You animate effect properties within the same way that you simply animate another propertiesby adding keyframes or expressions in their mind. In most cases, even effects that make use of animation for normal use require that you simply set some keyframes or expressions. For example, animate the Transition Completion property of the Transition effect or even the Evolution setting in the Turbulent Noise effect to make a static effect right into a dynamic effect.
Many effects support processing of image color and alpha channel data at the depth of 16 or 32 bits per channel bpc. Using an 8-bpc effect in a very 16-bpc or 32-bpc project can result in the loss of color detail. If an impact supports only 8 bpc, plus your project is determined to 16 bpc or 32 bpc, the Effect Controls panel displays a stern reminder icon
next to the consequence name. You can set the Effects Presets panel to list the effects that include the color depth with the current project. See Color depth and high dynamic range color.
The order where After Effects renders masks, effects, layer styles, and transform propertiescalled the render order may modify the final result of the applied effect. By default, effects can be found in the Timeline panel and Effect Controls panel within the order through which they were applied. Effects are rendered as a way from top to bottom on this list. To affect the order through which effects are rendered, drag the issue name to a different position inside list. See Render order and collapsing transformations.
To apply a result to only a unique portion of the layer, make use of an adjustment layer.
An effect applied with an adjustment layer affects all layers below it from the layer stacking order inside the Timeline panel. See Create an adjustment layer.
Andrew Kramer offers a video tutorial on his Video Copilot website through which he shows how to make use of an adjustment layer to apply an impression to only a brief duration and only specific portions of your movie.
Expression Controls effects don't modify existing layer properties; rather, these effects add layer properties that expressions can consider. See Expression Controls effects.
Because an impression is applied into a layer, the effects of some effects are constrained to inside the bounds in the layer, which can make the result appear to end abruptly. You can use the Grow Bounds effect to your layer to temporarily extend the layer with the purpose of calculating the outcomes of other effects. This process is not needed for newer effects, which usually are 32-bpc effects.
Paul Tuersley offers a script within the AE Enhancers forum with which you'll be able to search compositions for effects and turn them on or off.
Paul Tuersley gives a script about the AE Enhancers forum that creates synchronizing changes to effect properties on multiple layers easier.
CycoreFX HD 1.7.1 is included inside installation of After Effects CC and CS6. There is 16-bpc support to all effects, and 32-bpc float support in 35 effects. Included are 12 additional plug-ins. CycoreFX HD plug-ins have support for motion blur, lights, more controls, and options.
This video by Todd Kopriva and video2brain introduces the revolutionary Cycore effects and improved color bit depth. You will learn how to put on a couple of such effects and pay attention to what it methods to use different bit depths.
Documentationincluding tutorials and example projectsfor the Cycore FX CC plug-ins is available within the Cycore website.
Alan Shisko gives a video tutorial around the ProVideo Coalition website that demonstrates the use in the CC RepeTile effect.
Eran Stern offers a video tutorial on his website that demonstrates the CC Particle System II and CC Mr. Mercury effects.
Several effects count on a control layer or layer map as input. These compound effects make use of the pixel values with the control layer to discover how to change the pixels in the layer that the result is applied towards the destination layer. In some cases, the issue uses the brightness values from the pixels inside control layer; sometimes, the consequence uses the consumer channel values with the pixels from the control layer.
For example, the Displacement Map effect uses the brightness values of the control layer to view how far to shift pixels with the underlying layer, and during which direction. The Shatter effect can make use of two control layersone a personalized shapes on the shattered pieces and something to control when specific parts on the destination layer explode.
The compound effect ignores effects, masks, and transformations of an control layer. To use the outcomes of effects, masks, and transformations using a layer, precompose the layer and utilize the precomposition layer because control layer.
It is usual to use a control layer this is not itself visiblethat is, its Video switch
Most compound effects incorporate a Stretch Map To Fit option or possibly a similarly named option, which temporarily stretches or shrinks a control layer on the dimensions with the destination layer. This supplies a pixel inside control layer corresponding to each pixel from the destination layer. If you deselect this program, the calculations to the compound effect are executed as if the control layer is centered for the destination layer at its original size.
You can cause control layers by drawing or painting in a graphic-editing program, like Adobe Photoshop.
Chris and Trish Meyer explain compound effects and how to help them within the ProVideo Coalition website.
For many compound effects, neutral gray pixels inside control layer correspond to null operations. Therefore, a neutral gray solid layer is often a good beginning for setting up a control layer.
Apply the Turbulent Noise effect to your layer and precompose it to build a good control layer for turbulent or atmospheric results.
You can develop a control layer by precomposing a white solid layer, a black solid layer, as well as a mask about the top layer that determines which areas are white and black. Increasing the feather of your mask softens the transition between non colored documents values.
The contrast between adjacent pixel values determines how smoothly the values change throughout the surface in the control layer. To create smooth changes, paint employing a soft or anti-aliased brush, or apply gradients. To create abrupt changes, avoid intermediate shades, employing a few widely spaced shades, for example 50% gray, black, and white.
Some effects can utilize camera and lights within a similar composition. These effects include Card Dance, Card Wipe, and Shatter. Some of those effects always utilize composition camera, whereas others include light and camera options within the Effect Controls panel.
The Live Photoshop 3D effect behaves as a consequence with a Comp Camera attribute. This effect only appears with a layer if the layer is usually a 3D object layer coming from a PSD file. See 3D object layers from Photoshop.
When applying an effect using a Comp Camera attribute to some 2D layer, the consequence can track you and light positions inside composition and render a 3D image around the 2D layer that it is placed on. The results from the effect seem to be three-dimensional; however, the layer together with the Comp Camera attribute applied remains a 2D layer and thus has the following characteristics:
3D layers above and below it inside the Timeline panel cannot intersect collectively or cast shadows on one another.
It cannot intersect with 3D layers or cast or accept shadows.
The image is rendered around the layer, not the composition, so make sure that are applying these effects to layers that happen to be the same size as being the composition and they are exactly centered inside the composition.
Chris and Trish Meyer present an article around the ProVideo Coalition website that explains utilizing a simple number of expressions to orient a layer which has a Comp Camera effect so it integrates for some other 3D layers within a composition.
When you are applying an effect into a layer, the Effect Controls panel opens, listing the effects you applied and controls to modify the property values for that effect. You also can work with effects and change most effect property values within the Timeline panel. However, the Effect Controls panel has far more convenient controls for many people kinds of properties, like sliders, effect control point buttons, and histograms.
The Effect Controls panel can be a viewer, which means that you could have Effect Controls panels for multiple layers open simultaneously and can make use of the viewer menu within the tab with the panel to decide on layers.
To open or close the Effect Controls panel for your selected layer, press F3.
To select a consequence, click it. To select another or previous effect from the stacking order, press the Down arrow key or Up arrow key, respectively.
To expand or collapse selected effects, press the Right Arrow key or Left Arrow key, respectively.
To expand or collapse real estate group, go through the triangle for the left from the effect name or property group name.
To expand or collapse a house group causing all of its children, Ctrl-click Windows or Command-click Mac OS the triangle.
To expand or collapse all property groups for selected effects, press Ctrl accent grave Windows or Command accent grave Mac OS.
To reset all in the properties of a result to their default values, click Reset at the top from the entry with the effect within the Effect Controls panel.
To duplicate selected effects, choose Edit Duplicate, or press CtrlD Windows or CommandD Mac OS.
To move a result to a different place inside the rendering order, drag the consequence up or down within the effect stack.
To set the properties of an impact to the properties used within an animation preset, choose in the Animation Presets menu at the top from the entry with the effect within the Effect Controls panel.
To show the Animation Presets menu inside the Effect Controls panel, select Show Animation Presets inside the panel menu.
To get a new range of an impact property, right-click Windows or Control-click Mac OS the underlined property value for that control and select Edit Value in the context menu.
Browse and apply effects and animation presets using the Effects Presets panel. An icon identifies each item within the panel by type. Numbers from the icons for effects indicate whether the consequence works on the maximum of 8, 16, or 32 bits per channel.
You can scroll with the list of effects and animation presets, or you may search for effects and animation presets by typing any part from the name inside search box at the top on the panel.
Shows effects that use any color depth, not exactly the effects that help the depth in the current project.
Shows all available effects.
Shows all animation presets, including animation presets saved by you inside the Presets folder.
The panel organizes effects and animation presets according on the option that you simply select on the panel menu: Categories, Explorer Folders Windows or Finder Folders Mac OS, or Alphabetical.
Opens the folder that contains the issue or animation preset selected inside Effects Presets panel.
Updates the listing of effects and animation presets.
Chris and Trish Meyer give you a video about the Focal Press website that introduces effects and animation presets and shows how to change this Effects Presets panel.
Chris Trish Meyer give recommendations on applying and taking advantage of effects in the article for the ProVideo Coalition website.
To apply an impact or animation preset to 1 layer, drag the result or animation preset on the Effects Presets panel with a layer inside Timeline, Composition, or Effect Controls panel.
When you drag a result or animation preset onto a layer within the Composition panel, the name with the layer within the pointer is shown inside the Info panel. If you have not selected a layer, double-clicking an animation preset will produce a new layer and apply the preset for the layer. Double-clicking an impact when no layer is selected does nothing.
To apply an impression or animation preset to 1 or more layers, simply select the layers, then double-click the result or animation preset inside Effects Presets panel.