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A new, node-based tool and articles environment.
New support for nondestructive animation workflows.
Create complex topology faster.
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This tutorial is for beginners with little exposure to 3DS MAX. In this tutorial I cover the development of a simple tornado with standard 3DS MAX tools. This tutorial is extremely fast and extremely simple. The tornado is made by forcing particles to adhere to a path.
First develop a path with the particles to adhere to. Create a Helix Shape within the top view. Use this settings within the Helix:
Rotate the Helix 180 degrees good picture below.
The speed from the particles wont have any effect inside final system and orientation in the Snow emitter merely has very little effect.
Particle Motion: Stream Swirl: 0, 02
The Particle Motion parameters just create some chaos for the flow on the particles. Now Bind the the Snow Particle System to your Path Follow Space Warp.
Test your animation. Now the particles should adhere to the Helix. It takes 100 frames for that first particles going to the ground.
At the minute the tornado is quite boring. Lets give a Wave modifier towards the Helix to generate the tornado more alive. Use this settings within the Wave modifier you could have to rotate the Gizmo from the Wave modifier 90 degrees:
Now the tornade need to look like inside the picture below. If you are going to render an animation I suggest animating two Wave modifiers with 90 degree separation.
Create a material for your tornado in line with picture below.
Render the test image. The tornado should now look like within the picture below. go towards the frame 100 or beyond before rendering
Right click about the Snow Particle System and select Object through the menu. Enable Object Motion Blur.
Render the style again. Now the rendering has a few minutes because with the motion blur. The rendered image will want to look like within the picture below.
At the instant the edges from the tornado are little jagged. You could boost the quality by subtracting the following steps:
1. Increase the amount of turns inside the Helix
2. Increase the travel time inside Path Follow Space Warp to help keep the speed
3. Increase the quantity of Particles inside Snow Particle System
You can also try the tornado for some other Particle Systems for getting different results. The Snow is only an one option.
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Posted by Three-dimensional bugs on Dec 20, 2009 at 12:56 AM
The effect will not be very good, just isn't easy to manipulate.
Posted by chennakesavareddy on Aug 10, 2009 at 03:07 AM
hellow iam reddy,
You just go through these steps, u will found Helix,
Posted by VJonuzi on Jul 14, 2009 at 06:34 AM
Posted by Morrissey Alexander on May 22, 2009 at 07:37 PM
How does one bind? or what would you mean by bind? but awsome none the less
Posted by sathish kannan on Feb 15, 2008 at 06:10 PM
simple and fosters good knowledge to how to utilize particle system to the beginners.
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When it stumbled on choosing the solutions we may be using from the classrooms and teaching our students, we looked specifically at what are the industry was using. We chose 3ds Max and Maya dependant on their extensive use inside games, film, and TV production industries.
Alex Counsell, Principal Technician Faculty of Creative and Cultural Industries University of Portsmouth
Located within the southern coast of England with easy usage of London, France, and Spain, town of Portsmouth is regarded as a gateway to Europe. This busy, multicultural port is the best place for students from around the globe to share ideas, learn additional skills, and develop expertise with leading-edge tools.
The University of Portsmouth recently formed a Faculty of Creative and Cultural Industries, an amalgamation with the creative technologies along with the art, design, and media departments, which can be offering a complete range of foundation, undergraduate, and postgraduate courses. One from the hallmarks these courses will be the integration in the very tools getting used by industry professionals: Autodesk 3ds Max and Autodesk Maya 3D animation and design software.
When it located choosing the solutions we might be using inside the classrooms and teaching our students, we looked specifically at exactly what the industry was using, says Alex Counsell, principal technician, Faculty of Creative and Cultural Industries. We chose 3ds Max and Maya dependant on their extensive use inside the games, film, and TV production industries.
The university uses 3ds Max and Maya across a wide selection of courses and programs, including movement and on-line games technology. It is also incorporating Autodesk MotionBuilder software into its optical motion-capture pipeline. Other courses that incorporate 3ds Max and Maya are digital media, digital video technologies, entertainment technology, and multimedia programming.
We introduce students to 3ds Max and Maya inside a core unit called software skills, which can be predominantly lecture- and workshop-based, illustrating 3D concepts and practical hands-on software training, explains Counsell. In the second year, students are taught use of animation skills from the software.
Throughout the courses, the teachers provide expert sessions, mentoring, and tutorials concentrating on software skills. They also run an animation club with online forums for members, regular weekly workshops, and visiting speakers and trainers.
Most from the core curriculum is delivered through traditional lectures and tutorials, supported with practical workshops. Some courses also have self-directed learning, built to give final-year students a practical expertise in computer game and animation production.
A great instance of self-directed learning is our Real-Time Group Animation Project, where students form production groups and they are given a few client requirements, says Counsell. These requirements are deliberately set quite high, as well as the student groups speak to virtual clients academic staff to negotiate new, more realistic goals. We usually purchase one or two outstanding groups, however, that meet all requirements, however demanding.
Graduates from the University of Portsmouth continue on to find satisfying work from the games, film, and TV production industries. Student placements include Pivotal Games, SCi, Climax, Blitz Games, Cinesite, The Mill, Moving Picture Company, CFC, Kudos, and The Creative Assembly.
Lina Kounetkova, a former cartoon student with the University of Portsmouth, currently is employed by Kuju Games rolling around in its London studio and it has been using 3ds Max and Maya more than four years. In 2005 she won the E-Stings competition at Channel 4 for creating the most effective sting short animation and contains since gone through to produce another five stings for that successful television channel.
In my job I use a team of animators on in-game animation, and everyone is utilizing 3ds Max, says Kounetkova. I learned 3ds Max at Portsmouth, which forced me to be to land in my feet in this particular company. I wouldnt manage to do the job Im doing without the courses I got at college.
Jared Embley, another cartoon graduate, found similar success because of his familiarity with Maya software. He is currently a render wrangler at visual effects company Cinesite, where he manages both 2D and 3D renders.
Maya plays a vital role from the structure in this company when you are the primary 3D application useful for digital creations, says Embley. Having an idea of 3D techniques and animation would be a critical aspect for obtaining this task, and knowing Maya set it up an edge.
Embley is using Maya for longer than four years and says his favorite aspect on the software could be the MEL Maya Embedded Language scripting. Its powerful realizing that anything is quite possible with this method, he adds.
MotionBuilder, Combustion Come into Play
In conjunction with Maya and 3ds Max, the University of Portsmouth intends to introduce Autodesk MotionBuilder to its animation and games classes for character animation. Students will find out keyframe animation and solving motion-capture data. The university also intends to incorporate Autodesk Combustion compositing software in the undergraduate units in postproduction and compositing, along with into a new masters degree in postproduction effects. In addition, the School of Architecture from the faculty of Creative and Cultural Industries is interested in utilizing 3ds Max for modeling organic shapes as well as for visualization.
There can be a growing awareness from the multiple usages of 3ds Max and Maya within other departments and faculties, says Counsell. The continuing rapid change and growth on the media industries ensures that Creative Technologies at Portsmouth University is always with the forefront of technology, supporting this having its close ties with industry leaders like Autodesk.
Autodesks catchphrase for your newly released Autodesk 3ds Max 2008 can be quite apt: create stunning 3D faster. Highlights on this release includes digging in easy-to-use program UI and scene-management features, and also Review a toolset that supports interactive previewing of shadows, the 3ds Max sun/sky environment, and architectural and design material settings. DWG import enhancements and improved file linking both actually strengthen compatibility with Autodesk design applications for instance AutoCAD 2008, AutoCAD Architecture 2008, and Revit 2008.
Autodesk 3ds Max 2008 can be a leading 3D modeling, animation, and rendering solution made use of by gamer producers, film and video artists, and design professionals. This release also incorporates numerous time-saving 3ds Max/Mental Ray workflow features, for instance sky portal lighting options and also a camera-based interface for exposure settings.
These extra features are certainly welcome, even so the performance enhancements are particularly noteworthy. For example, material assignment will be as much as much faster for 10, 000 nodes, and also the selection of a huge number of objects is, most of the time, more than much faster. Transform objects is really as much as 60 times faster for 5, 000 objects or maybe more, and moving objects to hidden layers also is really as much as 60 times faster. These improvements put together with others in grouping, cloning, and array functions soon add up to more high-quality work with less time.
Both 32- and 64-bit versions of Autodesk 3ds Max 2008 are included within the box. The 32-bit version runs under Microsoft Windows Vista or XP with Service Pack 2 or later installed; DirectX 10 is supported under Vista, and DirectX 9 is supported under XP. The 64-bit version of Autodesk 3ds Max 2008 runs under Microsoft Windows Vista or XP Professional x64. Some features are enabled not until used with graphics hardware that supports Shader Model 3.0 Pixel Shader and Vertex Shader 3.0.
All versions support hardware-accelerated OpenGL and Direct3D, are optimized for that Microsoft Intelli-Mouse, and demand a DVD-ROM drive for installation. Apple computers dependant on Intel processors and running Microsoft os are not currently supported. The 3ds Max 2008 32-bit software has a system through an Intel Pentium IV or AMD Athlon XP or better processor with at the very least 512 MB of RAM 1 GB recommended. At least 500 MB of swap space is needed, with 2 GB recommended. Visit the Autodesk Web site with the 64-bit requirements.
Data created with all the 64-bit version of 3ds Max 2008 will load within the 32-bit version of 3ds Max 2008 and the opposite way round. Files and scenes trapped in 3ds Max 9 are forward appropriate for 3ds Max 2008, however, if a scene has become saved with plug-ins by using a prior version of 3ds Max, may well load properly in the event the plug-ins are not installed for 3ds Max 2008. The good news is that most existing 3ds Max 9 plug-ins 32- or 64-bit will help the respective versions of 3ds Max 2008. A trial version of Autodesk 3ds Max 2008 is readily available for download and evaluation at
Enhancements to Mental Ray plus the 3ds Max 2008/Mental Ray workflow will assist achieve your personal style faster.
Several usability features are incredibly welcome, nevertheless the performance enhancements within Autodesk 3ds Max 2008 alone ensure it is worth the price in the upgrade. Highly Recommended.
Ron LaFon, a contributing editor for Cadalyst, is usually a writer, editor, and also a computer graphics and electronic publishing specialist from Atlanta, Georgia. He is often a principal at 3Bear Productions in Atlanta.
Autodesk Technical Evangelist Lynn Allen walks you through a different AutoCAD feature atlanta divorce attorneys edition of her popular Circles and Lines tutorial series. For even more AutoCAD how-to, take a look at Lynn s quick tips from the Cadalyst Video Gallery. Subscribe to Cadalyst s free Tips Tools Weekly e-newsletter so we ll notify you whenever a new video tip is published. All exclusively from Cadalyst!
Is color wide-format printing component of your CAD workflow?
Yes, we use color frequently
Yes, but only occasionally
No, but we want to adopt the technology soon
No, we print in black-and-white only
No, we don t use wide-format printing whatsoever
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Please send any technical comments or questions to our webmaster.
Autodesk s catchphrase for your newly released Autodesk 3ds Max 2008 is extremely apt: create stunning 3D faster. Highlights in this release includes digging in easy-to-use graphical user interface UI and scene-management features, together with Review a toolset that supports interactive previewing of shadows, the 3ds Max sun/sky environment, and architectural and design material settings. DWG import enhancements and improved file linking both actually strengthen compatibility to Autodesk design applications for instance AutoCAD 2008, AutoCAD Architecture 2008, and Revit 2008.
Autodesk 3ds Max 2008 is usually a leading 3D modeling, animation, and rendering solution made use of by gamer producers, film and video artists, and design professionals. This release also incorporates numerous time-saving 3ds Max/Mental Ray workflow features, for instance sky portal lighting options as well as a camera-based interface for exposure settings.
These additional features are certainly welcome, however the performance enhancements are particularly noteworthy. For example, material assignment can be as much as ten times faster for 10, 000 nodes, along with the selection of 1000s of objects is, many times, more than ten times faster. Transform objects will be as much as 60 times faster for 5, 000 objects or maybe more, and moving objects to hidden layers also can be as much as 60 times faster. These improvements joined with others in grouping, cloning, and array functions mean more high-quality be employed in less time.
Both 32- and 64-bit versions of Autodesk 3ds Max 2008 are included inside the box. The 32-bit version runs under Microsoft Windows Vista or XP with Service Pack 2 or later installed; DirectX 10 is supported under Vista, and DirectX 9 is supported under XP. The 64-bit version of Autodesk 3ds Max 2008 runs under Microsoft Windows Vista or XP Professional x64. Some features are enabled only once used with graphics hardware that supports Shader Model 3.0 Pixel Shader and Vertex Shader 3.0.
All versions support hardware-accelerated OpenGL and Direct3D, are optimized with the Microsoft Intelli-Mouse, and need a DVD-ROM drive for installation. Apple computers depending on Intel processors and running Microsoft os are not currently supported. The 3ds Max 2008 32-bit software uses a system with the Intel Pentium IV or AMD Athlon XP or more processor with no less than 512 MB of RAM 1 GB recommended. At least 500 MB of swap space is essential, with 2 GB recommended. Visit the Autodesk Web site for your 64-bit requirements.
Data created while using 64-bit version of 3ds Max 2008 will load inside 32-bit version of 3ds Max 2008 and the other way around. Files and scenes trapped in 3ds Max 9 are forward that will work with 3ds Max 2008, but when a scene continues to be saved with plug-ins employing a prior version of 3ds Max, may well load properly in the event the plug-ins were not installed for 3ds Max 2008. The good news is that every existing 3ds Max 9 plug-ins 32- or 64-bit will help the respective versions of 3ds Max 2008. A trial version of Autodesk 3ds Max 2008 is accessible for download and evaluation at
Enhancements to Mental Ray as well as the 3ds Max 2008/Mental Ray workflow can help achieve look faster.
Several usability features are incredibly welcome, though the performance enhancements present in Autodesk 3ds Max 2008 alone help it become worth the price from the upgrade. Highly Recommended.
Ron LaFon, a contributing editor for Cadalyst, is often a writer, editor, plus a computer graphics and electronic publishing specialist from Atlanta, Georgia. He is really a principal at 3Bear Productions in Atlanta.
Autodesk Technical Evangelist Lynn Allen walks you through a different AutoCAD feature in every single edition of her popular Circles and Lines tutorial series. For even more AutoCAD how-to, look into Lynn s quick tips within the Cadalyst Video Gallery. Subscribe to Cadalyst s free Tips Tools Weekly e-newsletter so we ll notify you whenever a new video tip is published. All exclusively from Cadalyst!
Is color wide-format printing component of your CAD workflow?
Yes, we use color frequently
Yes, but only occasionally
No, but we mean to adopt the technology soon
No, we print in black-and-white only
No, we don t use wide-format printing whatsoever
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Please send any technical comments or questions to our webmaster.
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Published by: ronel k. pabico
Category: Animation, Rendering
I want to share with you my work with how to build a waterfall with 3DS Max Particle System.
1. To start with, set units to meters, and renderer to default scanline renderer.
You can download my raw model for that building located with the bottom of the tutorial.
2. Modelling the accessories.
Create an aircraft length 20m, width 25m, segments 8 x 8
Apply with Noise Modifier: scale0, strenght x1.7, y1.5, z.25
Position it and level using the building bottom.
Create a jet length 20m, width 16m, segments 8 x 8
Apply with Ripple Modifier:amplitude 1.06m, amplitude 2.15m
Wave Length1.0m, phase.1, decay.001
Position it about.5m below the bottom floor fo the dwelling.
Create a box, length12m, width2, height8m segments 40 x 20 x20
Apply with Noise Modifier to generate it rough and bumpy.
Then apply with turbosmooth modifier to smooth the top.
Position the lower just level together with the riverbed.
Accessorize the scene with small rocks, same procedure while using main rocks, but by using a smaller scale.
3. To model the waterfalls: From the Creating Panel, select Geometry and judge Particle Systems. On object type choose PArray. Then drag anywhere within the screen to make a PArray Icon. Size on the icon doesnt matter, so long as you see it then it will probably be fine. Or visit Tab Menu, choose Create then browse down and judge Particles, there you will find also PArray.
4. To model the lake source: Go to Creating Panel, then Standard Primitives as well as on Object Type rollout choose box. On your top viewport, produce a box regarding the width on the main rocks say length8m, width0.1, depth0.2m. Position it on top on the main rock or in which the waterfalls are going to be located. Name it as a source box. See figure below:
5. Linking the origin box on the particles: Select PArray Icon, check out modify, under Basic Parameters go lower on Object Base Emitter and press the lamp Pick Object and select the original source box. Now click anywhere about the screen to show off the choice.
6. Now head to your perspective viewport and zoom a bit about the source box facing to where the lake will fall. Box select the original source box right click and select convert to poly. Then on modifying panel select polygon and after that select the front in the source box. Turn over selection, by clicking around the gray box aligned while using word - Editable Poly, this may just turn away from the highlighted portion but still the choice is active.
7. Select again the PArray Icon, head over to modify and under the Particle Formation tick your box of Use Selected Sub-objects. This signifies that water can come out only within the face in the source box you selected.
8. Now make four viewport viewable, zoom in on the source box making some initial testing, move your time and efforts slider to 20 or 30 and discover what happens. The particles emit at horizontal direction.
9. Fine tuning particles for initial settings. From the Viewport Display of PArray select Ticks, and with the Percentage from the Particles make 100%.
On the Particle Generation simply click Use Rate100, for your speed.2 meter,
variation 50, divergence 20
Speed - The velocity on the particle at birth, across the normal, in units traveled per frame.
Variation - Applies a share of variation for the speed of emission per particle.
Divergence - Applies an angular penetration of variation through which each particles velocity can vary on the emitter normal.
On Particle Timing, emit start at 0, visit 100, Display until 100. life at 100 and variation at 25. On Particle size, put.06m, variation size about 10. This implies that drops of water is all about 60mm therefore it is viewable in my camera. See illustrated image with the initial settings.
10. Now adjust time slider on about frame 40. As you can view in the style below, the Particles are in possession of some development.
11. Redirecting the Particles to fall downwards. In the meantime, drag any time slider to frame 0, then maximize now your top viewport.
From the Creating Panel, select space warp wave symbol, that point on Object Type select Forces, then Gravity or head to tab menu, select create - space warps-forces then gravity. Or head over to Tab Panel and select Create Menu, for the pull down menu items select SpaceWarps - Forces - then Gravity. See illustration below:
Drag anywhere on the screen for making a gravity icon. On top its a square icon with x on center as well as on elevation its a line with the arrrow. The arrow indicates the direction from the force. Size as well as placement doesnt matter if you see it. See figure below:
Make the superior viewport active, visit main toolbar and select Bind to Space Warp icon, then visit Gravity Icon the mouse pointer changes into small box with wavy diagonal lines and drag them it on the Particles Icon. The particles will likely be highlighted within a second this means the binding is okay. Then head over to modifying panel, on parameters, adjust strenght.04
Strength Increasing Strength raises the effect of gravity; that may be, how objects come in relation towards the Gravity icons direction arrow. Strength under 0.0 creates negative gravity, which repels particles moving inside same direction and attracts particles moving within the opposite direction. When Strength is placed to 0.0, the Gravity space warp does not have any effect.
Decay When Decay is determined to 0.0, the Gravity space warp has exactly the same strength throughout world space. Increasing the Decay value causes gravity strength to reduce as distance increases from your position with the gravity warp object. Default0.0.
12. Now play your time and effort slider at frame 25 and find out the flow in the particles. We now corrected the direction and orientation on the flow on the particles. But as you will notice, it is going down directly down for the bottom, instead of on the water surface. We will now correct this inside next procedure. See figure below:
13. Move back some time slider to 0, right click gravity icon and select hide selection. Go to Creating Panel, and select Space warps browse down the choice and select Deflectors and from their list click deflector. On top viewport drag for the location from the waterfall, and assume the length of your water surface. Then on left or front view position it or aligne with water surface.
14. Make the superior view active, head over to main toolbar and select bind to space warp icon, then select deflector icon and possible until the icon change then drag it to your Particle Icon. Then visit modifying panel additionally, on parameters and adjust the bounce. For this I allow it to become.25, and variation to 40.
Bounce - Controls the pace at which particles bounce over deflector. At a setting of just one.0, particles bounce from the deflector with the same speed they struck it. At 0.0, particles will not bounce whatsoever. At values between 0.0 and 1.0, particles bounce from the deflector in a speed reduced using their company initial speed. At values over 1.0, particles bounce off of the deflector in a speed over their initial speed. Default1.0.
Variation - The amount in which each particle can vary on the Bounce setting.
Now the setup is practically complete, play with the timeslider to see the reaction in the particles. Move time slider to 35. See image below:
15. Applied now the materials for the models. See my materials below:
16. Final fine tuning of particles: Position any time slider at 40 frame. Click PArray Particles, visit modify and from Particle generation adjust Use rate to 600. Then right click about the Particles, activate object properties, and enable Motion Blur, select image then click ok. See figure:
Unhide and unfreeze all objects, simply click camera, check out modify and activate Render Effect Pass having a total pass of 2. And finally press F10, visit Renderer, Object Motion Blur click apply. Frame duration to.5 samples to 10, duration subdivision to 10. Select source box, right click, choose object properties and untick Renderable.
Add lights. Then turn up RENDER.
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Posted by SabastianT90 on Feb 10, 2009 at 09:11 PM
Posted by leotchest on Dec 10, 2008 at 03:00 AM
great tutourial for particle noobs - thankyou, your time and energy are very much appreciated:
Posted by yiel868 on Nov 20, 2008 at 12:44 PM
nice and cool render. desire to see really your it!
Posted by ronel k. pabico on Jun 07, 2008 at 11:39 PM
there a variety of factors why particles dont render. check it one after the other.
1. time slider should be no less than at 25th frame or even more
2. size from the particles are far too small, look at the units
3. speed of particles, gravity force, too fast
this will be the most common problems i encountered writing the and the choice of can download the ultimate scene this link. just move any time slider to 25th frame or even 30th, add lights striking you can compare your works here.
Posted by Phoro on Jun 07, 2008 at 10:04 PM
Hi! Thanks to the tutorial!
The worlds most favored professional 3D modeling software, providing an intensive set of tools to build impressive scenes
Autodesk 3ds Max has grown to get one on the top 3D animation software options, devoted to providing a strong modeling architecture for graphic designers. The product is definitely developed in two editions: Autodesk 3ds Max, addressed especially to game developers and visual effects artists, and Autodesk 3ds Max Design and that is recommended for architects and engineers.
In simple terms, Autodesk 3ds Max rather favors aesthetics and has now application in cinema and movie productions, architectural visualization studios, yet shows a distinct predilection for game development and design. It is able to deliver a wealthy amount of creative tool sets along with a powerful graphics core that enable users to unleash their creativity beyond imagination.
Deploying the application in your system requires quite an number of time, so arm yourself with patience. An online form needs to get completed with some rudimentary information to be able to download the software program, then the Akamai NetSession Interface grants you use of the 3ds Max installation.
The interface features a professional look, and that is expected on this kind of software. Moreover, it really is equipped with teams of buttons that allow availability to this software s features, even though the menus accommodate extensive functionality.
Amongst its most significant features we count the advanced polygon and texture modeling, the Character Animation Toolkit for character rigging and animation design, the pipeline and workflow support, the MAXScript scripting language that automates repetitive tasks, the Scene Explorer that ensures an hierarchical take a look at scene design along with the ability to import and link DWG files.
Other features within Autodesk 3ds Max include PhysX Nvidia right body dynamics after creating physics-rich characters and environments, this enables you to easily export them into runtime game apps, a versatile plugin structure, a redesigned UV editor along with an iray renderer that's photorealistic.
One outstanding benefit from all Autodesk products may be the extensive help and tutorial documentation available for the developer s website. In addition to that, you'll be able to always use Autodesk s vast community for discussions or tips.
In conclusion, Autodesk 3ds Max can be a top choice within the category of 3D animation software programs. It is quite demanding about the system resources, yet it is really a small price to pay for such a strong and reliable modeling software. It serves flawlessly in fields including video game development or movie making and enhances the overall productivity.
New in Autodesk 3ds Max 2016 18.0:
Last updated on August 27th, 2015
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