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The Arturia team had the opportunity to meet Octave One over the Amsterdam Dance Event 2015 and request information from them relating to usage of BeatStep Pro. The interview was shot at Sugar Factory plus the live performance on the MelkWeg Club.
BeatStep Pro is a bit more powerful than ever before. It will become the highest companion for ones live or studio sessions. This firmware update adds more features, more possibilities. Click to locate the new features!
We are proud to announce the award winning recreation in the Oberheim SEM, iSEM, would be the first iPad game to benefit from your full compatibility with Audio Unit Extension. This allows iSEM to get launched directly inside an Audio Unit host, for example Garage Band, offering with your iPad a similar comfort and workflow much like a computer-based home studio!
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The Arturia team had the opportunity meet Octave One through the Amsterdam Dance Event 2015 and request information from them relating to usage of BeatStep Pro. The interview was shot at Sugar Factory along with the live performance with the MelkWeg Club.
BeatStep Pro might be more powerful than ever before. It will become the most companion on your live or studio sessions. This firmware update adds more features, more possibilities. Click to uncover the new features!
We are proud to announce which our award winning recreation with the Oberheim SEM, iSEM, would be the first iPad guitar to benefit coming from a full compatibility with Audio Unit Extension. This allows iSEM for being launched directly within an Audio Unit host, for instance Garage Band, offering with your iPad a similar comfort and workflow just like a computer-based home studio!
Works in Standalone, VST and Audio Unit, AAX Pro Tools 11, NKS.
The software packages are protected from the Arturia Software Center. You can learn more concerning this here.
Three synthesizers a single: Prophet 5, Prophet VS, Prophet Hybrid
2 TAEР’ analog oscillators, sync Osc2 - 1 Prophet 5
Over 1, 000 presets produced by talented musicians and synthesizer specialists
Absolutely pure, high-quality audio just like the original Prophet 5 and VS
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As operating other soft synths put together by Arturia, Prophet-V 2.0 brings you replicas of that inspirations, the Prophet-5 and Prophet VS, both visually and sonically. Using the Prophet-V 2.0 virtual Read More
Availability: After finalizing your order because of this downloadable product youll purchase an activation key via email. This email will incorporate a product link and directions for downloading.Credit approval usually takes up to a one day.
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Notice: OS X 10.11 Compatibility Click here for more details.
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product:id:H95735, stock:instock, price:99.00, name:Prophet V Software Download, download:true, skuid:H95735000000000, repid:site51363365535641753620, displayId:1363365535641753620, skudisplayid:1363016753447, skurepid:, category:Music Software, pageName:productdetail, subcategory:Virtual Instruments Software, dept:Pro Audio
As wonderful other soft synths manufactured by Arturia, Prophet-V 2.0 brings you replicas of their inspirations, the Prophet-5 and Prophet VS, both visually and sonically. Using the Prophet-V 2.0 virtual instrument are going to be second nature for that connoisseurs. However, in case you are new to those synths, the one thing you will miss by without needing the hardware versions would be the workout from transporting these phones the studio. Finally, because the Prophet-V 2.0 virutal synthesizer was made with Arturias TAE technology, you'll be able to be sure you'll not be giving up any audio quality.
The virtual emulation offered inside the Prophet-V 2.0 can be an exact replica from the original instrument and uses the identical subtractive synthesis model. Subtractive synthesis is the filtering of sounds in the specific means by order to build harmonically rich waveforms and new timbres. Arturias reproduction of subtractive synthesis with TAE guarantees the sound quality with the virtual instrument.
The Arturia Prophet-V 2.0 soft synth carries all from the original parameters, plus the 40 original presets with the Prophet 5. The potentiometers or switches associated to the telltale 54 parameters will permit you to build an infinite various sounds that have been native to an original synthesizer.
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As operating other soft synths put together by Arturia, Prophet-V 2.0 brings you replicas of the inspirations, the Prophet-5 and Prophet VS, both visually and sonically. Using the Prophet-V 2.0 virtual instrument are going to be second nature for your connoisseurs. However, should you be new to the telltale synths, one and only thing you will miss by without having the hardware versions will be the workout from transporting these to the studio. Finally, considering that the Prophet-V 2.0 virutal synthesizer is made with Arturias TAE technology, you are able to be sure you are going to not be giving up any audio quality.
The virtual emulation offered inside Prophet-V 2.0 is definitely an exact replica from the original instrument and uses precisely the same subtractive synthesis model. Subtractive synthesis means filtering of sounds within a specific strategies order to make harmonically rich waveforms and new timbres. Arturias reproduction of subtractive synthesis with TAE guarantees the sound quality with the virtual instrument.
The Arturia Prophet-V 2.0 soft synth carries all in the original parameters, along with the 40 original presets in the Prophet 5. The potentiometers or switches associated to 54 parameters will permit you to produce an infinite selection of sounds which were native to the initial synthesizer.
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We have the FIRST plus the LAST synthesizers Pcreated by Sequential Circuits- and brought these to you within an easy to use software instrument format. As operating other soft synths developed by Arturia, we create for you replicas in the Prophet-5 and Prophet VS both visually and sonically. Using the PROPHET V is going to be second nature for that connoisseurs. And in case you are new to the telltale synths, the sole thing you will miss by devoid of the hardware versions may be the workout from transporting the crooks to the studio. Finally, ever since the PROPHET V is created with Arturia-s TAE technology, you are able to be sure you might not give up quality of sound.
Three synthesizers within a: Prophet 5, Prophet VS, Prophet Hybrid
Support for Mac OSX 10.7 Lion
The virtual emulation offered inside the Prophet V can be an exact replica on the original instrument and uses precisely the same subtractive synthesis model. Subtractive synthesis is the filtering of sounds inside a specific strategies order to produce harmonically rich waveforms and new timbres. Our reproduction of Subtractive synthesis with TAE guarantees the sound quality with the instrument.
The Prophet V carries all in the original parameters, plus the 40 original presets on the Prophet 5. The potentiometers or switches associated to 54 parameters will permit you to make an infinite various sounds which were native to the initial synthesizer.
The Prophet VS uses wave table or vector oscillators. In this form of synthesis, the oscillator waveforms are digitally stored in the table that the user can freely select, with regards to the texture with the sound that's needed is. With the VS you may recreate that classic 80-s wave table synthesis sound with your computer.
There are 96 digitally sampled waveform types when you need it. Use up to 4 oscillators simultaneously and mix them in real time by sweeping the joystick and the 5 point envelope. The Prophet VS brings that you unique sound which includes the strength to face on its own, but with the same time is complementary to that with the Prophet 5.
1 multi mode filter LP, HP, BP, Notch
In Hybrid mode the world thinks we have brought something exceptional. One with the things that happen to be so great about using a new synthesizer would be the unexpected things that it is possible to discover from it, those delightful moments in musical creation if you stumble upon an audio that you weren-t in search of. Hybrid mode gives a combination on the Prophet 5 and Prophet VS stacked one on top on the other. Thus a fully new sound palette to blend and blend are going to be at your disposal: the analogue subtractive synthesizer inside Prophet 5 AND the digital wave-table or vector synthesizer on the Prophet VS.
The audio matrix allows someone to activate or deactivate the audio module outputs from the two synthesizers oscillators, filters, sound in the Prophet. You can connect the filters inside a series for any unique mix on the two synthesizers or you are able to connect the filters in parallel for the fatter sound. This gives that you simply huge difference of sound between the 2 solutions.
The modulation matrix on the Prophet Hybrid allows you to definitely add modulation inputs impossible to feature with the PROPHET 5 alone. The velocity, after touch, or numerous other modulation sources presented about the VS which could now be used about the PROPHET 5.
Explore many sounds using our revolutionary Sound MAP. Locate areas you enjoy and pick an audio that will stimulate your creativity. Morph sounds within the MAP by clicking anywhere you want. Add filters to produce your search easier, or make contact with the traditional report on presets, by sound-designer or by type. Be creative, be funky, be a solid-traveller.
Mac OS X: 10.6 or more, Intel only
Works in Standalone, AAX Pro Tools 11, VST 2.4 VST 3, 32 64 bit, RTAS and AU 32 64 bit formats
PC/Windows: 2 GB RAM; 2 GHz CPU
Mac Intel only: 2 GB RAM; 2 GHz CPU
Arturia emulate their classic Prophet 5 as well as the lesser-known Prophet VS synthesizers inside their latest software instrument. Arturias
In the industry of classic hardware synthesizer emulation, Arturia have invariably been ahead with the game. They were the first ones to recreate the
The SCI Prophet 5, is, to my taste, with virtually no question, one of the most lovely analogue polysynth available, and you know what? I m only one
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Virtual Analog Synthesizer - Mac/PC AAX, RTAS, VST, AU
Most software packages are compatible with both Mac and Windows computers, but check to generate sure.
If youre using Pro Tools, AAX plug-ins or RTAS for older versions are things you need. Most other Mac DAWs support AU plug-ins. VST is works with a quantity of Mac and Windows programs. Be sure you choose plug-ins that work together with your DAW!
This method delivered by download. We have a very unique partnership with Arturia that allows that you receive your license code within minutes. Sorry, software can not be returned once registered, so please call if you would like advice about compatibility or version. With Arturias Prophet V, you obtain three killer synthesizers rolled into one: the Prophet 5, the Prophet VS, along with the Prophet Hybrid. This powerhouse analog-modeling synthesizer offers up exact replicas in the originals, kept faithful inside digital realm because of Arturias amazing True Analog Emulation technology. Visually, too, the Prophet Vs synths are spot-on. But its sound that matters most - and whats cool concerning the Prophet V is that you simply get all those original parameters, plus presets and a lot of extra tweakability together with the Arturia Prophet V.
The Prophet V offers all of the features in the original Prophet synth, along with a new generation of innovative features, taking the first design to a different elevated level. New features add a modulation matrix, a multi mode for assigning some other sound to each and every polyphonic voice, a chorus, along with a stereo delay.
Three synthesizers in a single: Prophet 5, Prophet VS, Prophet Hybrid
No aliasing from 0.1Hz to 16kHz
Five envelopes: two ADSR; Three five-point envelopes
Windows: XP/Vista/Seven 32 and 64 bit, 1GB RAM; 2GHz CPU
Mac OS X: Mac OS X 10.5 or better, Intel only, 1GB RAM; 2GHz CPU
Load track of three awesome-sounding synthesizers with Arturias Prophet V!
2GHz CPU Intel only, 2GB RAM
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Thank you for the request. A Sweetwater Sales Engineer will come back to you shortly around the Arturia Prophet V. You can also contact us toll free at 800 222-4700, Mon-Thu 9-9, Fri 9-8, and Sat 9-7 EST.
You will have a world of sounds with your computer.
Music Background: Hobbyist.
A great deal of fun. Im not a keyboard expert. much more of a guitar guy but it is a ton of fun. Install process would be a bit of an headache, but what software product authorization process isnt an irritation these days? Once its installed it arrived in all of my apps like the Fishman Tripleplay so I can play this with my MIDI guitar. Really fun playing a chord in this little guitar and hearing a Prophet V sound emerge!! Like I said. and reasonable price.
Fantastic support services! Our product was on backorder, but Sweetwater called us to remain updated, and after that let us know if it shipped. Great products, great tech support, and amazing customer support.
AAX, AU, VST, RTAS, Standalone
AAX, AU, VST, RTAS, Standalone
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We have got the first and also the last synthesizers manufactured by Sequential Circuits and brought the crooks to you inside an easy to use software instrument format.
As effortlessly other soft synths put together by Arturia, we enable you to get replicas on the Prophet - 5 and Prophet VS both visually and sonically. Using the Prophet V will probably be second nature for that connoisseurs. And for anyone who is new to the telltale synths, one and only thing you will miss by devoid of the hardware versions could be the workout from transporting the crooks to the studio. Finally, ever since the Prophet V is created with Arturia s TAE technology, you'll be able to be sure you are going to not give up quality of sound.
The prophet V has several sounds with lots of It is now my ideal synth for pad sounds. The problem is that I need to take care of not making use of it in each and every of my productions!
Leave it to Arturia to create classic synthesizers in the past back again in such a way concerning exceed all expectations.
With the probabilities offered in hybrid mode, that is infinitely more than merely two classic synths bundled together. A real winner in my book.
The prophet V has lots of sounds with many different It is now my ideal synth for pad sounds. The problem is that I must take care of not deploying it in each and every of my productions!
Prophet V belongs to a different generation of virtual instruments that make the most of todays processing prowess to deliver an audio that even one of the most synth obsessed could well be hard-pressed to tell through the originals. While I remain hot for analog hardware, this can be one soft synth that can definitely be finding its way onto my very own tracks.
A savvy software recreation of Sequential Circuits groundbreaking Prophet 5, plus the equally influential wavetable synth Prophet VS, Arturia s V is two synths in a, a mightily flexible instrument that may both software instrument design and sonics to new levels. The must-have soft synth of 2006. - Future Music Ace Awards 2007 -
With the Prophet - V, Arturia s manufacturer product line breaks new ground through classic sounds yet pushing them more than mere emulations. The sound is both familiar and new, criss-crossing the boundaries between analog warmth and digital sparkle. Exploiting the Arturia Prophet - V for the fullest can be a challenge, but one worthy of undertaking.
There have been completely numerous soft synths purporting to emulate the Prophet 5, and I weren't impressed by any of them. Arturia are creating something closer to the initial than any one of these, and I am positive that Prophet V continue to improve. Furthermore, by creating this strange marriage with the Prophet 5 with one of my all-time favourite synthesizers, the Prophet VS, the business have shown the imagination was required to take their offering way beyond that regarding their competition.
Arturia did a frighteningly good job of capturing the beloved gritty characteristics of the American-made classic. Being the initial polyphonic analog synth, the Prophet 5s sound was around records from 80s artists like Talking Heads, INXS, and Gary Numan, and as a result, the presets be smart to cover the sounds utilized in those days. However, Arturia includes emulation in the Prophet VS plus a hybrid mode, meaning this synth goes far beyond churning out throwback fare. Certainly a terrific all-around plug-in that especially excels with leads and percussive sounds.
Overall, Arturia Prophet V creates the sound and feel in the Prophet 5 well, while adding several features that modern synth users would like. With the inclusion on the VS model and Hybrid mode, Prophet V offers a lot of bang to your buck.
Prophet V is straightforward to load and learn, it sounds excellent and appears stunning, it can be relatively CPU friendly and yes it carries a sweet cost especially versus the hardware. If you want to go deep in the heart of both traditional analog and vector synthesis without going deep for your pocket, look directly at Prophet V.
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Another Arturia triumph. The Prophet V is often a beautifully re-created, amazing sounding and also flexible instrument. - MusicTech Excellence Award -
Prophet V is often a worthy addition to your roster of Arturia soft synths. It autentically imitates the originals while going beyond their limitations with as much as 32 voice polyphony, decent chorus/delay effects and also the endless potential of hybridising Prophet 5 and Prophet VS sounds.
Frances Arturia continues its string of hits together with the Prophet V. With Arturia s devotion to quality, excellent user interfaces and bringing this all on the musician in an extremely low priced, other virtual synth makers are actually all looking up in the new high water mark.
Prophet V belongs to an alternative generation of virtual instruments that make use of todays processing prowess to deliver a solid that even one of the most synth obsessed can be hard-pressed to tell in the originals. While I remain hot for analog hardware, this really is one soft synth that can definitely be finding its way onto my tracks.
A savvy software recreation of Sequential Circuits groundbreaking Prophet 5, along with the equally influential wavetable synth Prophet VS, Arturia s V generally is two synths in a single, a mightily flexible instrument which takes both software instrument design and sonics to new levels. The must-have soft synth of 2006. - Future Music Ace Awards 2007 -
With the Prophet - V, Arturia s series breaks new ground if you take classic sounds yet pushing them more than mere emulations. The sound is both familiar and new, criss-crossing the boundaries between analog warmth and digital sparkle. Exploiting the Arturia Prophet - V to your fullest is usually a challenge, but one worthwhile undertaking.
There have been completely numerous soft synths purporting to emulate the Prophet 5, and I are not impressed by any of them. Arturia have formulated something closer to an original than all of these, and I am positive that Prophet V continue to improve. Furthermore, by creating this strange marriage on the Prophet 5 with one of my all-time favourite synthesizers, the Prophet VS, the corporation have shown the imagination required to take their offering way beyond the ones from their competition.
Prophet VS: the Prophet - VS uses four wave table oscillators. The oscillator waveforms are digitally stored inside a table that this user can freely select. This unique synthesis technique provides each typical classic 80 s wave table synthesis sound heard in most hit tunes.
The virtual emulation offered from the Prophet - V can be an exact and faithful replica from the original instrument. It uses exactly the same subtractive synthesis model, which means the filtering of sounds in a very specific way to the creation of rich waveforms and new timbres.
Hybrid mode is definitely an astounding combination on the Prophet 5 and Prophet VS stacked one on top with the other. Thus a wholly new sound palette to blend and blend is to use: the analog subtractive synthesis from the one AND the digital wave-table or vector synthesis in the other.
Three synthesizers in a single: Prophet 5, Prophet VS, Prophet Hybrid
No aliasing from 0.1Hz to 16kHz
5 envelopes: 2 ADSR; 3 5 point envelopes
Our cost is lower than the designers minimum advertised price. As a result, we cannot explain to you the price in catalog or product page.
You do not have obligation to acquire the product once you know the retail price. You can simply take off the item through your cart.
Our costs are lower than they minimum advertised price. As a result, we cannot teach you the price in catalog or product page.
You do not have obligation to acquire the product once you know the purchase price. You can simply take away the item from the cart.
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The Heavenly Prophecy presents 200 extraordinary sounds for the Arturia Prophet V. This soundset takes the Prophet 5 along with the Prophet VS to new extremes!
The Heavenly Prophecy is centered on delivering inspiring up-to-date sounds together with the special Prophet flavor.
The crystal leads will shine, the stab sounds will drill holes within your heart, as well as the fabulous mystic pads can make you cry. This is our prophecy!
A Demo Bank with 20 free presets can be acquired for instant download.
Musicrow. Sounds Uniquely You!
Arturias Prophet V in their Prophet 5 mode.
Arturia emulate the two classic Prophet 5 plus the lesser-known Prophet VS synthesizers into their latest software instrument.
Arturias previous soft synths Р‘ the Minimoog V, Moog Modular V, ARP 2600V, and CS80V Р‘ have already been generally well-received by reviewers and players alike, so Prophet V joins a respected class of recreations of vintage instruments. However, it differs from Arturias earlier products, because doing so emulates probably none, but two vintage classics: the Prophet 5 from 1978, along with the hybrid analogue/digital Prophet VS from 1986.
Arturias literature states that they can modelled their Prophet 5 emulation around the Rev 2 and Rev 3 models with the original synth, therefore, the best instrument to compare would be considered a Rev 3 Prophet 5 or perhaps a Prophet 10, which, should you ignore a number of enhancements, merely pair of Rev 3s in wolfs clothing. As luck would have it, I just happen to possess a Prophet 10 at hand!
Opening the filters fully on both synths using their cut-off-frequency knob along with the filter envelope, defeating any modulation, and choosing the sawtooth wave on Oscillator A on their soft synth and also the Upper synth of my Prophet 10, I played middle C on both, and likely to hear an all-but-identical sound. To my surprise, I didnt. The original synth was noticeably brighter, the soft synth sounding somewhat softer than an original, as well as the difference seemed to be clearly visible with an oscilloscope. The square waves and triangle waves were closer on the originals, but all three with the soft synths waves sounded less bright compared to those generated by my Prophet 10.
Here is undoubtedly an original hardware Sequential Circuits Prophet 5, the style of which continues to be mimicked very closely by Arturia. The noise generator on my own Prophet 10, while suffering in the cyclic thump that bedevils early Prophets, sounds whiter than that on the soft synth, and also a spectrum analyser confirms this, showing the soft synths white noise spectrum exhibits a marked fall-off above 5kHz, winding up almost 20dB down at 20kHz. This is comparable to placing a 10dB/octave low-pass filter through the output! If these email address details are a consequence in the filter emulation, as opposed to any significant differences within the spectra on the noise generators themselves, they could explain the cyclic waveforms not enough brightness when compared together with the originals.
Analysis on the range of filter cut-off frequencies is a lot more encouraging. The soft synth includes a lowest cut-off frequency of 10Hz, a maximum when controlled because of the cut-off frequency knob alone of 8.47kHz, and once used at 44.1kHz a maximum when pushed on the limit using CVs of 20.5kHz. This compares well while using Prophet 10, which carries a minimum of 10Hz, a maximum when controlled through the cut-off frequency knob of 8.55kHz, plus a maximum when pushed on the limit using CVs well, I have no idea. The last I saw, it had crashed throughout the Nyquist limit of my analyser and was heading upward toward 30kHz without pausing for breath.
Also good news could be the way in which you are able to play the self-oscillating filter. The filters both in synths produce the identical, haunting sound, and track the laptop keyboard so accurately that it is possible to play them equally you would the oscillators. By the way, as opposed to offering a Keyboard tracking on/off switch, the soft synth comes with a knob to vary it from zero to one hundred pc. No, it's just not original, however it is a well-chosen enhancement.
PC: 1.5GHz processor with 512MB RAM running Windows 98SE, 2000, or XP.
Mac: 1.5GHz processor with 512MB of RAM running Mac OS 10.2 or maybe more.
Arturia have risen their recommended minimum hardware specification for Prophet V, adding 50 percent for the CPU speed, and 100 percent on the RAM. Consequently, much on this review was conducted with a sub-spec machine. This restricted the volume of notes that I could play simultaneously, but introduced hardly any other problems, which is often a compliment to Arturias programming. Prophet V will run being a stand-alone application, and to be a VST or RTAS plug-in on their PC and Mac, like a DXi plug-in under Windows, so that as an AU plug-in within the Mac. Copy protection is simply by means of the USB dongle.
Moving on, I measured the easiest transients that the 2 main synths can generate, which revealed some stunning results. The original synth was greater than reasonable through the standards on the time, that has a fastest VCA Attack of about 1ms, plus a fastest VCA Decay approximately 9ms. Nevertheless, Prophet V blows these figures away, that has a complete AD cycle of a millisecond possibly even. This makes it very snappy indeed.
On the opposite hand, my measurements with the maximum stage times said, in contrast for the Prophet 10s times during approximately 25s, 50s, and 40s Attack, Decay and Release respectively, the Prophet V s points in the 8s, 11s, and 12s preclude many on the long sweeps and gentle effects which you might otherwise anticipate to coax from that. This is particularly disappointing, because Arturia have inside past one example is, on 2600V extended the absolute maximum envelope times to create such effects possible.
The Prophet VS mode of Prophet V. Comparing it with the initial Prophet VS hardware below, it is possible to see that Arturia have deviated from the initial synths layout considerably. However, this interface significantly raises the usability on the instrument, so this can be by no means a disadvantage with the software version. Next, I tested the transient response from the filter envelope. The Attack is exceedingly quick again, approximately 1ms, but I was surprised to find the tail extends for nearly a quarter of an second. Whats more, the bump toward the end with the tail will not be unique to the present particular click; it seems on every one of them. As a consequence, sounds that begin that has a filter click employ a slight squelch. Its not a massive problem, nevertheless its worth flagging.
As continues to be noted often times before, the mix of a flexible LFO, plenty of destinations inside Mono-Mod section, and also the memorably named Poly-Mod made the Prophet 5 particularly flexible. Prophet V recreates many of these, but adds MIDI synchronisation with the LFO, and replaces the LFO amount knob by having an LFO/Noise control that determines the number of LFO and/or pink noise that comprises the modulation signal inside Mono-Mod section. Again, these are generally well-chosen enhancements who do nothing to detract on the character from the original.
Its notoriously hard to recreate analogue FM using a digital synth, considering that the vagaries of analogue oscillators are amplified when they are found in this way. The differences between my Prophet 10 and Prophet V are extremely noticeable. For example, when enhancing the amplitude of Oscillator Bs triangle wave when used since the Poly-Mod source for Oscillator A, the overriding effect in Prophet V is with the pitch dropping, whereas on the first its from the pitch rising. When while using sawtooth or square waves because the modulator, both the synths offer a similar experience, but fully clockwise within the soft synth is the same as around the 11:30 position sawtooth or 1:30 square on the initial, and so the genuine Prophet gives a wider choice of effects. Theres additionally a bug here. Switch off each of the waveforms on Oscillator B, plus the FM effect should disappear. It doesnt, along with a seemingly random amount is applied to Oscillator A.
Before leaving the voice structure with the Prophet 5 emulation, I should note how the soft synth retains important facilities for instance oscillator sync, glide, the making on/off switch, and unison. To this, it adds new ones for instance single triggering and legato-only glide in unison mode. It also allows that you determine the pitch-bend range which the initial synths could hardly and to specify some detune in Unison mode likewise. These are all sensible additions, the blend of which turns Prophet V right into a stonkingly good monosynth. Whats more, whereas an original synths use last-note priority when played polyphonically and high-note priority in Unison mode, Prophet V offers Reset, Circular, Low, High, and Last note-priority options within modes, which allows one to tailor it for ones favourite game play.
I compared some on the original Prophet 5 patches put in place on one manual of my Prophet 10 using the factory sound bank forwarded to Prophet V. I started while using classic Brass and Strings settings from patch locations 11 and 12. To start with, these sounded millions of miles away through the respective patches within the soft synth, but by adjusting the parameters around the Prophet 10 to fit Prophet V, or the opposite way round, I could get the 2 instruments on the point that Р‘ while they were not identical Р‘ it would have already been churlish to deny that this soft synth was emulating an original.
Greater differences arose when building brighter sounds, and people with bright, percussive transients. This is when the softer sound of Prophet V became more evident. So, by way of example, the hammer attacks of electric pianos were slightly softer on Prophet V, as were heavily modulated and synced sounds.
I also tested for things like zipper noise, and found how the filter quantisation was akin to that on the original but, when swept quickly, it offered a smoother response for filter blips and splats. In other tests, tinkering with fine control with the pulse width utilizing the Shift factor to adjust the soft synth in smaller steps demonstrated how the quantisation from the soft synth is usually far finer than on an original, which can be definitely in Prophet V s favour.
One problem, however, was very apparent. Many from the big sounds within the factory patches distorted nastily. Curing this entailed no greater than reducing the level inside Mixer and/and the Master Volume control, so I so want to know whether this was obviously a consequence of my setup or careless programming.
Theres many mystique all around the Prophet VS, nonetheless its a simple synthesizer by modern standards, for the reason that concept of placing four digitally generated waveforms for the cardinal points of the compass and mixing them utilizing a joystick or envelope generator has now become basic fare. Other than this, the VSs signal path is analogue, with each of their eight voices determined by Curtis filters and VCAs, articulated by two dedicated envelope generators and modulated by two LFOs.
So, what made the Prophet VS special? As always, the answer could be the sound. The VS incorporates a depth which has rarely been equalled and based on some never surpassed. However, the construction, expense, and unintuitive graphical user interface prevented it learning to be a world-beater.
White noise was passed through Prophet V and a genuine hardware Sequential Circuits Prophet 10 basically two Prophet 5s in a instrument, with both filters fully open, plus the result was passed to some spectrum analyser. The resultant plot implies that Arturias software emulation pink trace is much less bright compared to the hardware blue trace. Prophet V s Prophet VS emulation includes the 96 ROM waveforms incorporated into locations 32 to 127 in the main. The VS also allowed you to build and store 32 user waveforms in locations zero to 31, though the soft synth won't offer this. Setting up my personal Prophet VS and utilizing this as both an audio source plus the MIDI controller for Prophet V, I compared the waveforms, both audibly and while using signal analyser. Starting with wave 32, the sine wave, I put in place a simple patch without having filtering, modulation, or effects, and heard both instruments. The sounds were unique. The real Prophet VS demonstrated many harmonic and enharmonic contamination, plus aliasing at high frequencies. Prophet V wouldn't do so, and it is output was much better a mathematically pure sine wave. Whether you comprehend the soft synth as closer towards the ideal, or perhaps inaccurate reproduction with the original is, naturally, just a few taste.
The sounds from the other simple waves were somewhat much better one another, however the differences were always clear. For example, the sawtooth wave on the initial VS is bolder and brassier compared to slightly muted version around the soft synth, as well as the square wave can also be brighter. The softness in Prophet V continued to show itself as I tested several waveforms, and it also didnt appear to become a question of EQ; the soft synths waves appeared to contain an alternative balance of harmonics when compared with all the originals. Another interesting quirk revealed itself of these tests Р‘ wave 75 Vocal 1 is inverted around the Prophet Vs emulation.
Unlike the first, which merely offered submit to select oscillator A, B, C, or D, the soft synth shows all four simultaneously on the watch's screen, with all the wave number and coarse and fine frequencies permanently visible per. This is much clearer than on an original, as could be the method for balancing the oscillators and creating vector envelopes: follow on on Envelope inside the Modulation section and select Mixer, whereupon you may pull the vector points into position to generate dynamic effects considerably more quickly and easily than was possible on the main.
As before, the reason to the consistent absence of top end within the soft synth again revealed itself when I tested the filter section. As usual, I set the resonance to maximum and swept the cut-off frequency to search for the filters range. The Prophet VSs filter carries a cut-off frequency well above 20kHz, with plenty artifacts inside pass band. No wonder an original synth incorporates a deep and complicated sound! In marked contrast, the absolute maximum frequency of self-oscillation obtainable from Prophet V in VS mode is only a little over 5kHz. This is a a setting of 71; enhance the cut-off frequency to 72 plus the self-oscillation disappears. Strangely, this doesnt mean which the maximum cut-off frequency is definitely 5kHz, considering that the filter actually opens to almost 20kHz. Clearly, the filter applications are buggy, and requirements to visit the physician.
A short click is made on both hardware Prophet 10 along with the software Prophet V using minimum envelope times. You can see the Arturia synth lower waveform has got the potential for being much snappier versus the hardware upper waveform. Unlike the initial, Prophet V s VS mode offers high-pass, band-pass, and band-reject modes. These dont always operate perhaps you may expect. For example, past a cut-off setting of 80, the high-pass filter begins re-introducing some on the low frequencies its meant to become removing. The efficacy from the band-reject filter also deteriorates markedly between settings of 74 and 78, using the rejection band becoming wider and shallower as you enhance the value. Most noticeable of, however, are definitely the problems while using band-pass filter, revealed by passing white noise over the filter in band-pass mode while using resonance set to maximum. Remember, the filter wont self-oscillate at high frequencies, therefore the noise allows one to hear whats happening. Increasing the cut-off frequency beyond a price of 81 introduces various strange, low-frequency artifacts. Surely Arturia couldnt have the filter so wrong?
As it occurs, they didnt. When I first used Prophet V, I conducted my tests while using Volume control set between half and full. But when checking the final results, I performed the tests at a selection of Volumes, as well as low Volumes the majority in the inappropriate filter responses disappeared. Clearly, that visit for the doctor is urgent.
Unusually, the Prophet VS had no amplifier section as a result, using the amplitude, pan, and envelope controls spread along the Voice Control and Envelope Group sections. In an improvement on an original, Arturia have placed these in a very single section that has a helpful graphic display in the envelope itself.
Prophet VS envelopes theres one each for that filter along with the amplifier are five-stage affairs with six looping modes and eight options for that number of times the loop occurs. The Prophet V recreates these almost precisely, accurately emulating the easiest Point 0 to Point 1 transient of 11ms and slowest stage points in the 40s. Almost. Arturia have missed a trick: a fastest transient of 11ms makes the Prophet VS an incredibly sluggish synth, and experienced programmers know a trick that induce a much faster transient lasting just 2.5ms, but this setting provides for a transient of 22ms on Prophet V.
I must compliment Arturia on his or her recreation from the Prophet 5s pulse width modulation. On each my Prophets, the fully anti-clockwise position with the pulse-width control is just not zero percent, and you are able to hear an extremely narrow pulse, while totally and silence are reached a long time before the knob is turned fully clockwise. Prophet V mimics this perfectly.
The modulation matrix within the Prophet VS was another area where it exceeded the bounds of traditional analogue synthesis. Prophet V takes vid step further, offering one more modulation source the amplitude envelope without fewer than nine additional destinations including individual pitch modulations for Oscillators A, B, C, and D. Strangely, furthermore, it loses one destination, the chorus depth, but should you count the volume of routes available, the VS offers 28, while Prophet V provides a whopping 82, so theres ample potential for creating expressive sounds or off-the-wall effects, since you choose.
Nonetheless, you will find areas by which Prophet V falls short in the original VS specification. Two of these are typically significant. Firstly, there isnt any arpeggiator. Secondly, Prophet V has lost the VSs Double mode, which provided split and layer capabilities, with user-controlled detune and programmable delay with the onset from the linked patch. These facilities enabled the VS to create huge, complex noises that rivalled much bigger, heavier polysynths, so their absence from Prophet V can be a great shame.
Arturia give you the Prophet V with five banks of sounds: the factory patches to the Prophet 5 and Prophet VS, a bank of sounds created for every single instrument by Arturias voice programmers, and also a bank of hybrid sounds. Stepping with the Prophet 5s factory sounds reveals how dated most of them have become. Worse still would be the VSs, that had been designed to compete from the Yamaha DX7, and do little to indicate the remarkable array of sounds along with the depth which could be obtained from your instrument.
Most soft-synths look similar for the originals, and although the Prophet 5 emulation in Prophet V seems as if a Prophet 5, the emulation on the VS isn't going to copy the first design exactly, which is usually a good thing i believe. Too many companies think that they can can stick an attractive picture onto some standard digital play blocks, and this peoples eyes will fool them into hearing the things they see. It must have got guts to update the Prophet VSs user interface and, as you move the change of design may be considered a little disappointing to the purist, its clearer and much easier to program that the first.
So, how can the sound in the soft synth compare to the first? To test this, I again started by comparing the factory patches with Arturias factory patch bank. The nice chaps who contribute towards the Analogue Heaven synth forum explained where to have the SysEx file I was required to re-program my VS, and after a couple of moments downloading and uploading, I was prepared.
The outcome was unequivocal. Prophet V just isn't as bright and Р‘ in the way that may appeal for some players instead of others Р‘ it won't exhibit the aliasing that characterised the VSs sound. This may convert it into a better synth in a objective sense, but it's not true to an original, so youll must decide if this can be important for you. The soft synth also lacks some on the punch from the original VS. This may be partly, because the quickest transient is just too big slow, but I feel that it goes deeper than this. No matter the way you program the soft synth, it lacks something when compared with the main. Dont do not understand Р‘ nonetheless sounds great, and Im sure that you will be happy by it. But it's just not as good as the main.
If you might have used any Arturia soft synths, youll know how the corporation organises patch libraries and goes about offering chorus and delay, basic MIDI facilities, and MIDI synchronisation of timed parameters. Youll also learn how to determine the volume of voices, keying priorities, etc, so Ill refuse more about these. Furthermore, Prophet V shares its siblings capability to learn MIDI controllers in a very quick and intuitive manner so, when you have a good hardware controller, it might spring alive for real-time programming and tweaking within a way that may forever be impossible on an original.
Prophet V s special Hybrid mode left allows you to definitely combine elements on the Prophet 5 and Prophet VS architecture in a single instrument, as well as the dedicated routing view right allows a terrific deal of configuration flexibility. The effects are basic. The chorus offers controls for rate, depth, wet/dry mix, and three options of complexity. The delay comprises independent delay lines for that left and right channels, with delay a serious amounts of feedback control for every, including a global wet/dry mix. But the depth on the chorus is established not only with the Depth control, but also with the Rate, and that is wrong. Likewise, the Delay will not work correctly should the Time is determined to its maximum. If the feedback is anything in addition to maximum, there isnt any delayed signal. If its at maximum, the delayed signal isnt delayed, and doesnt pass from the feedback loop. This is basic issues that should are actually caught in Quality Control.
Arturia are justifiably like to show off Prophet V s Hybrid mode, as well as first sight this indicates to offer an excellent deal, combining the Prophet 5 as well as the Prophet VS to generate a mega-synth of great capability. You only should look for the enhanced modulation matrix Р‘ which now includes sources and destinations from both synths Р‘ to obtain a feel with the range of possibilities until this offers. In particular, this allows someone to route velocity and aftertouch to nine destinations inside the Prophet 5 architecture, turning the soft synth right into a bastard child of the Prophet 5 plus a Prophet T8. For some players, this can alone justify the price tag on Prophet V.
But whenever you delve deeper, all just isn't quite as it appears. Rather than help you combine the 2 main synthesizers freely, or maybe, as inside the Korg Legacy bundle, assign both synthesizers within a Combi mode, Arturia give you a patching diagram that allows you to definitely select the nature in the oscillators utilized in slots A, B, C, and D, after which to determine how you will route them along either or both with the 5s signal path along with the VSs signal path. This means that you simply cant build a software Prophet 10, or emulate the Double split and layer mode on an original VS, which is often a great shame. But despite its limitations, Hybrid mode is often a powerful architecture. Lets face it Р‘ the capacity to pass the Prophet 5s oscillators along two separate signal paths, one using a multi-mode filter, is not for being dismissed lightly.
A week before I submitted this review, Arturia released Prophet V v1.1. This includes support for Universal Binary, thus making Prophet V compatible while using new Intel-based Macs. It also sorts out three minor bugs: occasional hanging notes from the VST version, a resizing problem whenever using Prophet V in Logic 6, and incorrect keyboard tracking inside filter which I never encountered.
It would happen to be easy to describe Prophet V, throw in a very handful of eulogies regarding how it sounds identical to the initial synths, and leave. But Prophet V isn't identical to its inspirations; its a great imitation that offers several well-chosen enhancements along with an equal quantity of errors that should are actually sorted out. So, why don't you consider those differences in sound? Do they matter? I suspect that they can dont. Even if they certainly, history demonstrates that there is going to be an update within a few months that can sort out many in the problems. Therefore, an improved question is: Is it a superb synthesizer?
The answer for this depends, to many extent, about the power from the computer which youre running it. Prophet V is hungrier compared to a NYPD cop who hasnt were built with a doughnut for your whole morning. With merely a half dozen notes played, it fully taxes the absolute minimum specification machine, but should you have processing capability to spare, it is really an excellent way to obtain warm polyphonic pads, brittle PPG-esque timbres, complex hybrid sounds, and huge monosynth leads and basses.
To conclude, there have been completely numerous soft synths purporting to emulate the Prophet 5, and I haven't been impressed by any of them. Arturia are inventing something closer to the initial than any one of these, and I am certain that Prophet V continues to improve. Furthermore, by creating this strange marriage from the Prophet 5 with one of my all-time favourite synthesizers, the Prophet VS, the corporation have shown the imagination necessary to take their offering way beyond that surrounding their competition.Р±.